（附《卮言》后）
静观居士者，姓程名林，字云来，歙槐塘之元恺也。名家令子，雅好闲静，行在人间，志在物外，既葬其亲，
遂慨然有远游之赋。奕先子觞而送之曰∶子固且奚适耶？子以事亲礼终而游始于此，其贤于婚嫁毕而为五岳之行者
远矣，而子固且奚适耶？其将游东中诸郡名山泛沧海耶，其将往来苕雪间耶？其将窥九疑，浮于沅湘涉汶泗，讲学
邹鲁之都耶？其将过庐山栖贤谷耶，抑将登华山落雁峰耶，岂将州有九而游其八耶？不然，抑将游玄关至蒙击之上，
与汗温游于九垓之外耶？是皆余所不得而知也。余所可知者，云来有巧思绝艺，常为竹根如意，笋箨冠，鹿皮巾，
貌叔夜之杯，仿景山之枪，以示奇服奇器也。云来素服上池之水，能见垣一方人，必当如仲长子光卖药自给也。云
来不恨无二王法，但恨二王无其法。有请道者，必当剑书老易示之也。云来善画，必当画向子平于壁，图阮藉遇苏
门于行障上，坐卧观之，且所游历皆得图之也。云来精于刻篆，必当留题象耳山，投笔峻极中院，皆手自摩崖勤之
也。云来工文章，必当有山水漫游之记也。他日余或遇之于山之阳，水之央，庶几折芰为，以荷荐肉，瓠瓢盈酒，
为披其记，发其图，则所谓俯仰之问。若日再升，抚琴动操，众山首响声，古人岂欺我哉。更为乞碧霞饵刀圭匕服
之，使 羸之躯，忽变为济胜之具，于是相与道昆仑之墟，题其柱而刻之曰∶奕先云来游此。
顺治己亥冬十二月朔后一日弟光礼拜题
（附在《卮言》之后）
静观居士，姓程名林，字云来，是歙县槐塘人程元恺的儿子。他出身于著名的医学世家，生性高雅喜好清闲宁静，行为举止在人间，志向却超脱于世俗之外。在安葬完双亲之后，他便感慨万千，产生了远游天下的念头。
我的父亲摆酒为他送行，问道：“你本来打算去哪里呢？你以侍奉父母、完成丧礼作为出游的起点，这比那些办完婚嫁之事就去游览五岳的人贤德得多了。但你究竟打算去哪里呢？你是打算去东方中原各郡的名山，泛舟于沧海之上吗？还是打算在苕溪和雪溪之间往来漫游？或者是打算窥探九疑山，乘船渡过沅水、湘水，跋涉汶水、泗水，前往邹国和鲁国的都城讲学吗？你是打算经过庐山，栖息在栖贤谷吗？或者打算登上华山，攀登落雁峰吗？难道是要走遍九州中的八个州吗？如果不这样，难道是打算游历玄关至蒙山之巅，与汗温一起遨游于九重天之外吗？这些都是我所不知道的。
我所知道的是，云来拥有巧妙的构思和绝妙的技艺，常常制作竹根如意、笋壳帽、鹿皮巾，模仿叔夜（嵇康）的酒杯，仿制景山的长枪，以此来展示奇特的服饰和器具。云来平时服用上池之水（指清晨未接触地面的露水或井水，中医认为可养生），具备洞察一方病情的医术，必定会像仲长子光那样卖药来维持生计。云来不遗憾没有王羲之、王献之的法帖，只遗憾王羲之、王献之没有他的书法风格。如果有请教大道的人，他必定会用剑在地上书写《老子》和《易经》的内容来展示给他们看。云来擅长绘画，必定会在墙壁上画向子平（向长），在屏风上画阮籍遇见苏门先生（孙登）的场景，坐着躺着都可以观看，而且他所游历的地方都会绘制成图。云来精通篆刻，必定会在象耳山留下题刻，将笔投掷在峻极中院的险峻之处，都亲手在崖壁上摩崖石刻，勤勉为之。云来擅长写文章，必定会有山水漫游的游记。
将来我或许在山南、水边遇到他，希望能折下菱角做成酒杯，用荷叶垫着肉，葫芦瓢盛满酒，共同阅读他的游记，展开他的画作，这就是所谓的“俯仰之间”的问答。如果太阳再次升起，弹奏琴曲，众山仿佛首响应的声音，古人难道欺骗我吗？再请求碧霞饵（一种丹药）和刀圭匕（量取药物的工具）服用它，使瘦弱的身体，忽然变成能够胜任胜景游览的工具，于是我们一同谈论昆仑山的遗迹，在柱子上题字并刻下说：奕先、云来曾游历于此。
顺治己亥年冬十二月初一过后的一天，弟弟光文恭敬地题写。
(Afterword attached to *Zhiyan*)
The Layman Jingguan, whose surname was Cheng and given name Lin, courtesy name Yunlai, was the son of Cheng Yuankai from Huaitang in Shexian. Descended from a renowned medical family, he possessed an elegant temperament and cherished leisure and tranquility. While his conduct remained within the human realm, his aspirations transcended worldly affairs. After burying his parents, he sighed with emotion and resolved to undertake a long journey.
My father hosted a banquet to see him off, asking, "Where do you intend to go? You begin your travels only after fulfilling the rites of filial piety and completing the mourning period for your parents; this is far more virtuous than those who travel to the Five Great Mountains only after their marriages are concluded. But where exactly do you plan to go? Will you visit the famous mountains of the eastern central commanderies and drift upon the vast sea? Or will you wander between the Tiao River and the Xue River? Will you explore Mount Jiuyi, float down the Yuan and Xiang rivers, wade through the Wen and Si rivers, and proceed to the capitals of Zou and Lu to lecture on learning? Will you pass Mount Lu and dwell in Qixian Valley? Or will you ascend Mount Hua and climb the Fallen Goose Peak? Will you perhaps tour eight of the nine provinces? If not, will you visit the mysterious passes and the peaks of Meng Mountain, wandering beyond the nine heavens with Han Wen? These are matters I cannot know.
What I do know is that Yunlai possesses ingenious ideas and extraordinary skills. He often crafts ruyi scepters from bamboo roots, hats made from bamboo husks, and caps of deer skin. He imitates the cups of Ji Kang (courtesy name Shuye) and replicates the spears of Jing Shan, displaying them as unique garments and implements. Yunlai regularly consumes 'Shangchi water' (water collected before touching the ground, traditionally believed to have health benefits), enabling him to perceive illnesses within a specific area. He will surely support himself by selling medicine, much like Zhongchangzi Guang. Yunlai does not regret the absence of calligraphic models by Wang Xizhi and Wang Xianzhi; rather, he regrets that they lacked his style. When asked about the Dao, he will certainly write passages from the *Laozi* and *Yijing* (Book of Changes) in the air with his sword to demonstrate them. Yunlai is skilled in painting; he will surely depict Xiang Ping (Xiang Chang) on walls and illustrate the encounter between Ruan Ji and Sun Deng (the Master of Su Men) on screens, viewing them while sitting or lying down. Furthermore, he will map all the places he visits. Yunlai is proficient in seal carving; he will leave inscriptions at Mount Xiang'er and cast his brush onto the steep courtyards of Junji, personally engraving cliff faces with diligence. Yunlai excels in literature and will surely produce records of his roaming landscapes.
In the future, if I were to meet him south of a mountain or in the middle of a river, I would hope to cut lotus leaves to serve as mats for meat, use gourd ladles filled with wine, read his travelogues together, and unfold his paintings. This would constitute the dialogue of looking up and down. If the sun rises again, playing the qin evokes responses from the surrounding mountains; could the ancients be deceiving us? We might further request Bixia pills and measure them out with a dao gui spoon to consume, transforming our frail bodies into vessels capable of enjoying scenic beauty. Thus, we would discuss the ruins of Kunlun, inscribing pillars with the words: 'Yixian and Yunlai visited here.'
On the second day after the first day of the twelfth lunar month in the winter of the Jihai year of the Shunzhi reign, your younger brother Guangwen respectfully inscribed."