上集验方五卷,皆予平生用之有着验,或虽未及用,而传闻之审者,刻之姑孰,与众共
之。
干道庚寅十二月十日番阳洪遵书
贤人留意济斯民,学仕之余未舍勤,犹访医方治疾病,岂因富贵堕心身。乃知后世家风
远,想见当年德业新,愧我长贫仍懒堕,不能望见属车尘。
洪公当宋盛时为侍从官,兄为宰相,其富贵为何如也,而恳恳不忘救民之事,着成方书
,百世行之。
余素不谙医,而喜蓄医书,非真好医书也,好医书之为宋元旧刻者。今兹六月中,有扬
州书友来告余云有宋版《太医集业》四册欲售,余属其携来,久而未至,闻已售于他姓,亦
不甚惜之;因向来各家书目未载,即旧藏书家亦俱不知,或者书未必真宋版。后阅陆其清《
佳趣堂书目》载是书,云文渊阁藏本,有杨南峰、邹臣虎二跋,方悔前此不之买,而已弗可
追矣。适余友陶琅轩从都中寄此宋版《洪氏集验方》二本,至乃欣然,以为聊餍我欲。盖此
宋版医书亦所罕有,见有季氏图书,随检延令宋版书目,知即系是书。卷后八行墨迹,季氏
云鲜于枢诗跋,谅必有本而云然。百世行之以下,定有脱文,想沧苇收藏时必未遗失,故知
之详也。至于板刻年月,载之甚详,宋刻固无疑义。而余旧藏《伤寒要旨》与此同出一手,
黄宪毛用刻工姓名可考而证。刊刻之地同是姑孰,刊刻之时同是干道,唯辛卯差后庚寅一年
尔。二书之分不知几时,二书之合又在一地,岂非奇之又奇耶。余言详彼书跋语中,兹特志
得书之由,并志余所以考证是书者如此。
甲子十一月荛翁黄丕烈识
顷在杨州郡斋,借到《太医集业》,寻览之余,见板口有三因字,遂取《三因极一病证
方论》互勘,知即割裂其残本为之耳。《太医集业》者,第二卷之一条,并非别有此书也,
《佳趣堂书目》所云误。归晤荛翁,出示是跋,举以语之,嘱记于后,他年倘仍收得,必拊
掌一笑。
嘉庆乙丑八月涧 顾广圻书
《洪氏集验方》共五卷,其中的方剂都是我平生使用过且确有疗效的,或者是虽然尚未亲自使用,但听闻其效验确凿的。我将它们刻印在姑孰(今安徽当涂),与大众共同分享。
干道庚寅年十二月十日,番阳人洪遵书写。
贤德之人留心于救济百姓,在求学做官之余未曾懈怠勤勉,依然寻访医方来治疗疾病,难道是因为富贵而堕落身心吗?由此可知后世的家风传承深远,可以想见当年的德行功业崭新美好。惭愧我长期贫穷且懒惰懈怠,无法望见权贵车驾扬起的尘土。
洪公在宋朝盛世时担任侍从官,他的兄长是宰相,他的富贵程度如何呢?但他恳切不忘救助百姓的事情,撰写成方书,让后世百代施行。
我向来不精通医术,却喜欢收藏医书,并非真正喜好医学知识,而是喜好宋元时期的旧刻本。今年六月,有扬州的书商来告诉我,说有宋版《太医集业》四册想要出售,我嘱咐他带过来,过了很久却没送到,听说已经卖给了别人,我也并不十分惋惜;因为向来各家书目中都没有记载,即使是旧的藏书家也不知道,或许这本书未必是真的宋版。后来阅读陆其清的《佳趣堂书目》,书中记载了这本书,说是文渊阁藏本,有杨南峰、邹臣虎两人的跋文,这才后悔之前没有购买,但已经无法追回了。恰好我的朋友陶琅轩从京城寄来两本宋版《洪氏集验方》,到了之后我非常高兴,觉得稍微满足了我的欲望。这本宋版医书也是很少见到的,见到季氏的图书目录后,随即查阅延令的宋版书目,知道就是这本书。卷后的八行墨迹,季氏说是鲜于枢的诗跋,想必是有根据才这样说的。“百世行之”以下的内容,大概有脱漏的文字,猜想沧苇在收藏时必定没有遗失,所以知道得很详细。至于板刻的年月,记载得非常详细,是宋代刻本无疑。而我以前收藏的《伤寒要旨》与此书出自同一位刻工之手,黄宪、毛用等刻工的姓名可以考证并证明。刊刻的地方都是姑孰,刊刻的时间都是干道年间,只是辛卯年比庚寅年晚一年罢了。这两本书分开不知是什么时候,合又在同一个地方,这难道不是奇妙又奇妙的事吗?我在彼书的跋语中已经说得很详细,这里特别记录得到这本书的原因,并记录我考证这本书的情况如此。
甲子年十一月,荛翁黄丕烈识记。
前不久在扬州郡斋,借到了《太医集业》,翻阅之余,看到版口上有“三因”二字,于是取来《三因极一病证方论》互相核对,知道这就是割裂其残本而成的。《太医集业》实际上是《三因极一病证方论》第二卷中的一条内容,并不是另外有此书,《佳趣堂书目》所说的有误。回家后见到荛翁,出示这篇跋文,把这件事告诉了他,嘱咐他记在后面,如果将来仍然收集到原书,一定会拍掌大笑。
嘉庆乙丑年八月,涧人顾广圻书写。
The *Hong Shi Ji Yan Fang* (Hong's Collected Verified Prescriptions) consists of five volumes. All the prescriptions contained therein are ones that I have used in my lifetime with verified efficacy, or those that although not yet personally used, I have heard reliable reports of their effectiveness. I had them carved into blocks in Gushu (modern-day Dangtu, Anhui) to share with the public.
Written by Hong Zun of Fanyang on the 10th day of the 12th month of the Gengyin year of the Gandao era.
The virtuous gentleman pays attention to saving and benefiting the people; amidst his studies and official duties, he does not neglect diligence. He still seeks medical prescriptions to treat diseases. Could it be that wealth and honor lead to the corruption of one's mind and body? From this, we can see that the family traditions of later generations extend far, and we can imagine the freshness and renewal of their virtues and achievements at that time. I feel ashamed that I am long poor and lazy, unable even to see the dust raised by the carriages of the nobility.
Lord Hong served as an attendant official during the prosperous times of the Song Dynasty, and his brother was a Grand Chancellor. How great was his wealth and status! Yet he earnestly never forgot matters of saving the people, compiling medical books for practice over a hundred generations.
I have never been proficient in medicine, but I enjoy collecting medical books. This is not because I truly love medical knowledge, but because I love old editions from the Song and Yuan dynasties. In mid-June of this year, a bookseller from Yangzhou informed me that he had four volumes of the Song edition of *Tai Yi Ji Ye* (Collected Works of Imperial Physicians) for sale. I asked him to bring them, but they did not arrive for a long time. I later heard they had been sold to another family, and I did not regret it much; since no previous bibliographies recorded it, and even old collectors were unaware of it, perhaps the book was not genuinely a Song edition. Later, reading Lu Qiqing's *Jia Qu Tang Mu Lu* (Catalogue of Jia Qu Tang), which listed this book, stating it was held in the Wenyuan Pavilion collection with postscripts by Yang Nanfeng and Zou Chenhu, I only then regretted not buying it earlier, though it was now too late to pursue. Coincidentally, my friend Tao Langxuan sent two copies of the Song edition of *Hong Shi Ji Yan Fang* from the capital. Upon receiving them, I was delighted, feeling my desire was slightly satisfied. This Song edition medical book is rare. Seeing the Ji family's library catalog, I checked Yanling's Song edition catalogue and confirmed it was indeed this book. The eight lines of ink writing at the end of the volume, the Ji family claimed were a poem postscript by Xianyu Shu, must have some basis for such a claim. Below "for practice over a hundred generations," there are likely missing texts; I suppose Cangwei did not lose them when collecting, hence knowing the details well. As for the date of printing, it is recorded in detail, leaving no doubt that it is a Song carving. My previously collected *Shang Han Yao Zhi* (Essentials of Cold Damage) shares the same handiwork, verifiable through the names of carvers Huang Xian and Mao Yong. Both were printed in Gushu during the Gandao era, with the Xinmao edition being one year later than the Gengyin edition. I do not know when these two books separated, nor why they reunited in the same place; is this not extraordinary and strange? I have detailed this in the postscript of that book. Here, I merely record the reason for obtaining this book and my method of verifying it.
Recorded by Rao Weng, Huang Pilie, in the 11th month of the Jiazi year.
Previously, in the Yangzhou Prefecture Study, I borrowed *Tai Yi Ji Ye*. While browsing, I noticed the characters "San Yin" (Three Causes) on the spine margin. I took *San Yin Ji Yi Bing Zheng Fang Lun* (Treatise on the Three Causes and One Principle of Disease Patterns) to cross-reference, realizing that *Tai Yi Ji Ye* was merely created by fragmenting its damaged copy. *Tai Yi Ji Ye* is actually just one item from Volume Two of *San Yin Ji Yi Bing Zheng Fang Lun*; there is no separate book by that name. The statement in *Jia Qu Tang Mu Lu* is incorrect. Upon returning home, I met Rao Weng, showed him this postscript, and told him about it, asking him to record it afterwards. If I manage to collect the original book in future years, I will surely clap my hands and laugh.
Written by Jian Ren, Gu Guangqi, in the 8th month of the Yichou year of the Jiaqing era.