伤寒次第乱于叔和伤寒之亡亡于次第紊乱而下士不解也使次第非乱则伤寒虽元读之不过二三年无不解矣仆于破裂纷
乱之中条分缕晰复其次第之旧纵与仲景篇次未必悉合然而源委明白脉络清楚伤寒之理着仲景之法传矣叔和而后注伤寒者
数十百家著作愈多而伤寒愈亡其中惟郊 程氏颇识伤寒温病之殊传经为热之讹而于三阴之病亦稍有解悟较之前人可谓庸
中矫矫者矣惜理障太多疑丛满腹其所解者百分之一至于仲景全理未始升堂而睹奥也
微妙在脉不可不察(素问语)凡虚实之变迁寒热之消长表里之进退阴阳之胜复气机一动无不形之于脉而太阴行气于
三阴阳明行气于三阳(素问语)脏病则取之于寸口(寸口手太阴之脉在手大指鱼际之下)腑病则取之于冲阳(冲阳足阳
明之脉在足次趾陷谷之上)寸口在手冲阳在足手足之动脉气原于经络而神通于脏腑故精于脉者不饮上池之水而操隔垣之
明仲景脉法大含元气纤入无伦文本隐深义理奥衍较之六经病证更为难解所谓微妙而元通也吕览有言精而熟之神将告之非
神将告之也精而熟之也精熟仲景脉法游心于虚静之宇动指于冲漠之庭以此测病亦不啻鬼谋而神告已
脉气流行应乎漏刻呼吸有数动静无差是为平脉一有病作而浮沉迟数大小滑涩诸变生焉乖常失度偏而不和始于毫厘之
参差成于度量之悬隔仲景脉法自微而着由始及终精粗悉具洪纤毕陈可谓法全而意备矣而其变化纷纭绝态殊状总不出此一
章中盖下穷其委而此约其要也
问曰脉有三部阴阳相乘营卫气血在人体躬呼吸出入上下于中因息游布津液流通随时动作效象形容春弦秋浮冬沉夏洪
察色观脉大小不同一时之间变无常经尺寸参差或短或长上下乖错或存或亡病辄改移进退低昂心迷意惑动失纪纲愿为具陈
令得分明
脉有三部寸关尺也阴阳相乘阴盛则乘阳位阳盛则乘阴位也呼吸出入上下于中呼出为上吸入为下也因息游布津液流通
脉因气息之呼吸而游布于周身脉行则津液流通于上下也随时动作效象形容脉随四时动作各有其效象而形容之春弦秋浮冬
沉夏洪正形其四时之象也察色观脉大小不同察其色而观其脉脉有大小之不同也一时之间变无常经脉变之速无一定也尺寸
参差或短或长之不同上下乖错或存或亡之各异病辄随之改易进退低昂于此生焉此中心迷意惑动失纪纲愿为具陈其意令得
分明也
师曰子之所问道之根源脉有三部尺寸及关营卫流行不失铢分出入升降漏刻周旋水下百刻一周循环当复寸口虚实见焉
变化相乘阴阳相干风则浮虚寒则牢坚沉潜水蓄支饮急弦动则为痛数则热烦设有不应知变所缘三部不同病各异端太过可怪
不及亦然邪不空见中必有奸当察表里三部别焉知其所舍消息诊看料度脏腑独见若神为子条记传与贤人
子之所问乃医道之根源脉有三部尺寸及关也营卫之流行有一定之度数无铢两分寸之差其出入升降应乎漏刻以为周旋
漏水下百刻乃日之一周一日之中自寅至丑脉气循环五十周共计八百一十丈明日寅时初刻复出于寸口谓之一大周脉之虚实
大小俱见于此其间变化之相乘阴阳之相干可得而言也如中风则脉浮虚伤寒则脉紧牢蓄水则脉沉潜支饮则脉弦急脉动则为
痛脉数则为热烦此一定之理也设有不应知其变易之所由缘必有其故也三部之脉各有所主其为病不同脉之太过固可怪脉之
不及亦复然凡脉邪无空见之理一见脉邪中必有奸审察内外表里之异上下三焦之别知其病所舍止在于何处当消息而诊看之
即气之度数而料度脏腑之虚实独见之明若神为子条记其详传与后之贤人此提脉法之纲以下各章申明此义所谓条条记录者
也
伤寒病的传变次序在王叔和手中被扰乱,导致《伤寒论》的真义逐渐亡佚。这是因为后世低水平的医者不理解这一点。如果传变次序没有混乱,那么即使是初学者,也不过两三年就能完全理解。我在这些破碎纷乱的内容中,条理清晰地梳理,恢复了它原有的次序。虽然可能与张仲景原本的篇章顺序未必完全吻合,但源流委曲明白,脉络清晰,伤寒的道理得以彰显,张仲景的方法得以传承。自王叔和之后,注解《伤寒论》的有几十家,著作越多,伤寒的真义反而越加消亡。其中只有郊程氏(注:指程郊倩)颇能识别伤寒与温病的区别,纠正了“传经为热”的错误观点,对于三阴病也有些许领悟,比起前人可谓出类拔萃。可惜他理论上的障碍太多,疑点满腹,他所解释的只占百分之一,至于张仲景的全理,他未曾登堂入室窥见奥妙。
脉象的精微之处不可不仔细诊察(出自《素问》)。凡是虚实的变化、寒热的消长、表里的进退、阴阳的胜复,气机一旦变动,无不反映在脉象上。太阴脾经之气行于三阴经,阳明胃经之气行于三阳经(出自《素问》)。脏病则取诊于寸口(寸口是手太阴肺经的脉搏部位,位于大拇指鱼际之下);腑病则取诊于冲阳(冲阳是足阳明胃经的脉搏部位,位于足次趾陷谷穴之上)。寸口在手,冲阳在足,手足动脉之气源于经络,而神气通达于脏腑。所以精通脉法的人,不需要饮上池之水(传说扁鹊饮上池水后能透视人体),也能拥有隔墙视物的明察力。张仲景的脉法宏大包含元气,精细入无伦比,文本隐晦深奥,义理深远,比六经病证更为难解,这就是所谓的精微而贯通。《吕氏春秋》说:“精熟之,神将告之。”并非神灵告知,而是通过精熟掌握后自然明了。精熟张仲景的脉法,心神游历于虚静之境,手指动作于冲漠之庭,以此测度疾病,也不亚于鬼神谋划和神灵告知。
脉气的流行应合于漏刻(古代计时器),呼吸有定数,动静无差错,这就是平脉(正常脉象)。一旦生病发作,浮、沉、迟、数、大、小、滑、涩等各种变化就会产生。违背常规,失去法度,偏而不和,始于毫厘的参差,最终形成度量上的巨大差距。张仲景的脉法从细微到显著,由开始到终结,粗疏与精细全部具备,宏大与微小毕陈,可以说是法则完备而意蕴充足。而其变化纷繁复杂,绝态殊状,总不出这一章的范围,大概是下面穷尽了细节,而这里概括了要点。
问曰:脉有三部,阴阳相互乘袭,营卫气血在人体之中,随着呼吸出入上下,因气息游布,津液流通,随时动作,效法形象形容。春脉弦,秋脉浮,冬脉沉,夏脉洪。观察面色和脉象,大小不同。在一时之间,变化无常经。尺寸参差,或短或长,上下乖错,或存或亡,病邪随即改移,进退低昂。心中迷惑,意绪混乱,举动失去纪纲。希望详细陈述,让我能分辨清楚。
脉有三部:寸、关、尺。阴阳相乘,阴盛则乘袭阳位,阳盛则乘袭阴位。呼吸出入,上下于中,呼出为上行,吸入为下行。因气息游布,津液流通,脉随气息的呼吸而在周身游布,脉行则津液流通于上下。随时动作,效象形容,脉随四时动作各有其效象而形容之:春弦、秋浮、冬沉、夏洪,这是正形其四时之象。察色观脉,大小不同,观察其色而观其脉,脉有大小之不同。一时之间,变无常经,脉变之速无一定也。尺寸参差,或短或长之不同;上下乖错,或存或亡之各异。病邪随即随之改易,进退低昂于此生焉。此中心迷意惑,举动失去纪纲。希望详细陈述其意,令得分明。
师曰:你所问的,是医道的根源。脉有三部:寸、尺及关。营卫流行不失铢分(极小的重量单位),出入升降,漏刻周旋,水下百刻一周循环当复寸口。虚实见焉,变化相乘,阴阳相干。风则浮虚,寒则牢坚,沉潜水蓄,支饮急弦,动则为痛,数则热烦。设有不应,知变所缘。三部不同,病各异端。太过可怪,不及亦然。邪不空见,中必有奸。当察表里三部别焉,知其所舍,消息诊看,料度脏腑,独见若神。为子条记,传与贤人。
你所问的乃是医道之根源。脉有三部:寸、尺及关。营卫之流行有一定之度数,无铢两分寸之差。其出入升降应乎漏刻以为周旋,漏水下百刻乃日之一周。一日之中自寅至丑,脉气循环五十周,共计八百一十丈。明日寅时初刻复出于寸口,谓之一大周。脉之虚实大小俱见于此。其间变化之相乘,阴阳之相干,可得而言也。如中风则脉浮虚,伤寒则脉紧牢,蓄水则脉沉潜,支饮则脉弦急,脉动则为痛,脉数则为热烦,此一定之理也。设有不应,知其变易之所由,缘必有其故也。三部之脉各有所主,其为病不同。脉之太过固可怪,脉之不及亦复然。凡脉邪无空见之理,一见脉邪中必有奸。审察内外表里之异,上下三焦之别,知其病所舍止在于何处。当消息而诊看之,即气之度数而料度脏腑之虚实。独见之明若神,为子条记其详,传与后之贤人。此提脉法之纲,以下各章申明此义,所谓条条记录者也。
The sequence of transmission in Cold Damage diseases was disrupted by Wang Shuhe, leading to the loss of the true meaning of *Shanghan Lun* (Treatise on Cold Damage). This is because inferior physicians do not understand this point. If the sequence of transmission had not been disrupted, even a novice would have comprehended it within two or three years. Amidst these fragmented and chaotic contents, I have systematically clarified and restored its original sequence. Although it may not completely align with Zhang Zhongjing's original chapter order, the source and details are clear, the脉络 (meridians/connections) are distinct, the principles of Cold Damage are elucidated, and Zhang Zhongjing's methods are transmitted. Since Wang Shuhe, dozens of commentators have annotated *Shanghan Lun*; the more works there are, the more the true meaning of Cold Damage is lost. Among them, only Cheng Jiaoqian (Cheng Shi) could distinguish between Cold Damage and Warm Diseases, correcting the error that "transmission through meridians implies heat," and had some understanding of Yin Meridian diseases. Compared to predecessors, he was outstanding. Unfortunately, he had too many theoretical obstacles and full of doubts; his explanations covered only one percent. As for the complete logic of Zhang Zhongjing, he never entered the hall to perceive the profound mysteries.
The subtlety lies in the pulse, which must be carefully examined (from *Suwen*). All changes of deficiency and excess, waxing and waning of cold and heat, advancement and retreat of exterior and interior, and mutual overcoming of Yin and Yang, once the Qi mechanism moves, are invariably manifested in the pulse. The Taiyin Spleen channel circulates Qi among the Three Yin channels, and the Yangming Stomach channel circulates Qi among the Three Yang channels (from *Suwen*). Zang organ diseases are diagnosed at Cun Kou (the pulse point of the Hand Taiyin Lung meridian, located below the thenar eminence of the thumb); Fu organ diseases are diagnosed at Chong Yang (the pulse point of the Foot Yangming Stomach meridian, located above Xian Gu point on the foot). Cun Kou is on the hand, Chong Yang is on the foot; the Qi of the arterial pulses in the hands and feet originates from the meridians, while the Shen (spirit/mind) connects to the Zang organs. Therefore, those proficient in pulse diagnosis do not need to drink water from the upper pool (a legend associated with Bian Que gaining clairvoyance) to possess the clarity of seeing through walls. Zhang Zhongjing’s pulse methodology broadly encompasses Yuan Qi (Primordial Qi) and finely penetrates the inconceivable. The text is obscure and profound, the principles are extensive and deep, making it harder to understand than the Six Meridian disease patterns. This is what is meant by being subtle yet universally connected. As stated in *Lüshi Chunqiu*: "Be precise and familiar, and the Spirit will inform you." It is not that the Spirit informs you, but that through precision and familiarity, one naturally understands. By mastering Zhang Zhongjing’s pulse methods, letting the mind wander in the realm of emptiness and stillness, and moving the fingers in the court of vastness and silence, diagnosing diseases becomes akin to divine planning and revelation.
The circulation of pulse Qi corresponds to clepsydra timekeeping; respiration has a fixed number, and movement and stillness have no errors; this is the Normal Pulse (Ping Mai). Once illness arises, various changes such as Floating, Deep, Slow, Rapid, Large, Small, Slippery, and Choppy emerge. Deviating from norms and losing measure, becoming biased and unharmonious, it starts from minute discrepancies and results in significant gaps in measurement. Zhang Zhongjing’s pulse methodology ranges from subtle to prominent, from beginning to end, covering both coarse and fine aspects, presenting both grand and minute details; thus, the methods are complete and the meanings abundant. Its variations are complex and diverse, yet all fall within this chapter, likely because the following sections exhaust the details, while this section summarizes the essentials.
Question: The pulse has three positions, where Yin and Yang mutually overcome each other. Ying (Nutritive) and Wei (Defensive) Qi and Blood circulate within the body, entering and exiting, moving up and down, spreading via breath, circulating fluids, acting according to time, and reflecting shapes. Spring pulse is Wiry, Autumn pulse is Floating, Winter pulse is Deep, Summer pulse is Surging. Observing complexion and pulse reveals differences in size. Within a moment, changes follow no constant pattern. Cun and Chi positions differ, sometimes short, sometimes long; upper and lower parts are disordered, existing or absent. Diseases shift accordingly, advancing or retreating, rising or falling. One becomes confused and loses control. Please explain thoroughly so I may distinguish clearly.
The pulse has three positions: Cun, Guan, and Chi. Yin and Yang mutually overcome; when Yin is excessive, it overcomes Yang positions; when Yang is excessive, it overcomes Yin positions. Respiration enters and exits, moving up and down within. Exhalation moves upward, inhalation moves downward. Spreading via breath, fluids circulate; the pulse spreads throughout the body with respiration, and where the pulse flows, fluids circulate up and down. Acting according to time, reflecting shapes, the pulse varies with the four seasons: Wiry in Spring, Floating in Autumn, Deep in Winter, Surging in Summer, thereby normalizing the images of the four seasons. Observing complexion and pulse shows differences in size; observing color and pulse reveals varying pulse sizes. Changes occur rapidly without a fixed pattern within moments. Differences between Cun and Chi, lengths varying; disorders between upper and lower, existence or non-existence differing. Diseases shift accordingly, with advances and retreats arising here. Confusion reigns, losing discipline. Please explain thoroughly to clarify.
Master said: What you ask is the root of medical Dao. The pulse has three positions: Cun, Chi, and Guan. Ying and Wei circulate without losing minute measures; entering and exiting, ascending and descending, revolving with clepsydra time. Under the water mark of one hundred ke (hours), a cycle completes returning to Cun Kou. Deficiency and excess appear; changes multiply, Yin and Yang interact. Wind presents as Floating and Empty; Cold presents as Firm and Solid; Sunken and Water Accumulation present as Deep; Branching Fluid retention presents as Rapidly Wiry; Moving indicates pain; Rapid indicates heat and vexation. If responses do not match, know the causes of variation. The three positions differ, diseases have different origins. Excess is remarkable, deficiency is also so. Pathogens do not appear empty; there must be hidden factors. Observe the distinctions of Exterior and Interior, Upper, Middle, and Lower Jiao. Know where the disease resides, examine and diagnose, estimate Zang and Fu organ states, possessing unique insight like a spirit. I will record these points for you to pass on to worthy people.
What you asked is indeed the root of medical Dao. The pulse has three positions: Cun, Chi, and Guan. The circulation of Ying and Wei has fixed degrees, without any discrepancy in weight or length. Their entry and exit, ascent and descent correspond to clepsydra time for rotation. One hundred ke under the water mark constitute one day cycle. From Yin hour to Chou hour in a day, pulse Qi circulates fifty times, totaling 810 zhang. At the first ke of the next Yin hour, it re-emerges at Cun Kou, called one Great Cycle. Deficiency, excess, large, and small aspects of the pulse are all seen here. The multiplying changes and interacting Yin and Yang can be discussed. For example, Wind Strike presents as Floating and Empty; Cold Damage presents as Tight and Firm; Water Accumulation presents as Deep and Submerged; Branching Fluid presents as Rapidly Wiry; Moving pulse indicates pain; Rapid pulse indicates heat and vexation. These are fixed principles. If responses do not match, know the reasons for variation, as there must be causes. Each of the three pulse positions governs specific diseases. Excessive pulses are remarkable, deficient pulses are also so. Pathogenic pulses never appear without cause; if a pathogenic pulse appears, there must be hidden pathology. Examine differences in Interior/Exterior and Upper/Middle/Lower Jiao to know where the disease resides. Examine and diagnose based on Qi degrees to estimate Zang/Fu deficiency/excess. Possess unique insight like a spirit. I will record these details for you to pass on to future worthy people. This outlines the outline of pulse methodology, with subsequent chapters elaborating on this meaning, hence the term "recording point by point."