难经十三难曰五脏有五色皆见于面亦当与寸口尺内相应假令色青其脉当弦而急色赤其脉
浮大而散色黄其脉中缓而大色白其脉浮涩而短色黑其脉沉濡而滑脉数尺之皮肤亦数脉急尺之
皮肤亦急脉缓尺之皮肤亦缓脉涩尺之皮肤亦涩脉滑尺之皮肤亦滑假令色青其脉浮涩而短若大
而缓为相胜色青为肝脉得浮涩而短为肺脉为金克木大而缓为脾脉为木克土是谓相胜浮大而散
若小而滑为相生也浮大而散为心脉为木生火小而滑为肾脉为水生木是谓相生
玉机真脏论曰凡治病察其形气色泽脉之盛衰病之新故乃治之无后其时形气相得谓之可治
色泽以浮谓之易已脉从四时谓之可治脉弱以滑是有胃气命曰易治取之以时形气相失谓之难治
色夭不泽谓之难治脉实以坚谓之益甚脉逆四时为不可治必察四难而明告之
五脏生成篇曰色味当五脏白当肺辛赤当心苦青当肝酸黄当脾甘黑当肾咸故白当皮赤当脉
青当筋黄当肉黑当骨
灵枢五色篇曰五脏六腑之肢节各有部分有部分用阴和阳用阳和阴当明部分万举万当和阴
阳之盛衰裒多益寡和而平之万举万当矣能别左右是谓大道男女易位故曰阴阳审察泽夭谓之良
工左右乃阴阳之道路而男女从逆不同故位亦异位定然后能察其润泽枯夭也沉浊为内浮泽为外
内为脏外为腑以沉浮别之然在色上看非心会不能得黄赤为风青黑为痛白为寒黄为膏润为脓赤
甚者为血痛甚为挛寒甚为皮不仁五色各见其部察其浮沉以知浅深察其泽夭以观成败察其散搏
以知远近视色上下以知病处浅则病浅沉则病深泽则成全夭则败亡散解者新近搏聚者久远上则
在上下则在下皆以色形知病也积神于心以知往今故相气不微不知是非属意勿去乃知新故视色
之道必积神属意乃知已往来今及新病故疾色明不 沉夭为甚不明不泽其病不甚明泽不粗显而
但见沉夭病必甚也若无沉夭虽不明泽病亦不甚其色散驹驹然未有聚其病散而气痛聚未成也驹
小马也奔逸不定言其色散无定所气虽聚痛未成形也肾乘心心先病肾为应色皆如是脏必自虚而
后贼邪乘之所见之色自是胜我者五脏皆然男子色见于面王为小腹痛下为卵痛其圜直为茎痛高
为本下为首狐疝溃阴之属也卵茎狐溃乃膀胱小肠子处之病也其部位在于面王上下故色见于彼
圜直象茎故以色见之高下分茎病之本末俗以鼻之大小验前阴之巨细有以哉女子在于面王为膀
胱子处之病散为病搏为聚方圆左右各如其色形其随而下至胝为淫有润如膏状为暴食不洁女子
部分亦同而病亦在下但所见皆冲任带脉如淫带淋浊瘕聚之类或有因暴食湿热下流而成前证者
若色搏则聚而结色散者但痛而已左为左右为右其色有邪聚散而不端面色所指者也病见于色左
右不爽故随其色之所指察聚散而知邪之搏与痛也色者青黑赤白黄皆端满有别乡别乡赤者其色
亦大如榆荚在面王为不日五色之正端满合时日者是为无邪有别乡者犹言正色之外别部又见一
色也如赤见于面王则非其部不当见而见又非其时矣其色上锐首空上向下锐下向在左右如法色
之侵乘必视其尖锐处为乘之首上锐上乘下锐下乘左右皆如其法以五色命脏青为肝赤为心白为
肺黄为脾黑为肾肝合筋心合脉肺合皮脾合肉肾合骨也别五色而知五脏因五脏而知五合再察在
何部而分生克吉凶病固无遁情矣
面上白点腹中虫积
面青白黄色不常及面上如蟹爪路一黄一白者食积两颧时赤虚火上炎
病患面无血色无寒热脉沉弦者衄也
病患见黄色光泽者为有胃气不死干黄者凶
赤色出两颧大如拇指病虽小愈必卒死
黑色出于庭大如拇指必不病而卒死
冬月面惨伤寒紫浊时病色白而肥气虚多痰黑而瘦阴虚火旺
《难经》第十三难说:五脏对应五种颜色,都显现于面部,同时也应当与寸口脉和尺部皮肤相应。假如面色青,其脉象应当弦而急;面色赤,其脉象浮大而散;面色黄,其脉象中缓而大;面色白,其脉象浮涩而短;面色黑,其脉象沉濡而滑。脉数,则尺部的皮肤也感觉发热;脉急,则尺部的皮肤也感觉紧绷;脉缓,则尺部的皮肤也感觉松弛;脉涩,则尺部的皮肤也感觉粗糙;脉滑,则尺部的皮肤也感觉光滑。假如面色青,但脉象却浮涩而短,或者大而缓,这属于“相胜”(相克)的关系。面色青属肝,脉象浮涩而短属肺,这是金克木;脉象大而缓属脾,这是木克土,这就叫作“相胜”。假如脉象浮大而散,或者小而滑,这属于“相生”的关系。浮大而散属心脉,这是木生火;小而滑属肾脉,这是水生木,这就叫作“相生”。
《素问·玉机真脏论》说:凡是治病,要观察患者的形体、气息、色泽以及脉象的盛衰,判断疾病的新旧,然后进行治疗,不要错过时机。如果形体与气息相协调,称为可治;如果色泽明润光泽,称为容易痊愈;如果脉象顺应四时变化,称为可治;如果脉象弱而滑,说明有胃气,命名为易治,只要适时取穴或用药即可。如果形体与气息不相协调,称为难治;如果面色枯槁无光泽,称为难治;如果脉象实而坚,说明病情日益加重;如果脉象违背四时规律,称为不可治。必须仔细考察这四种危重情况并明确告知患者。
《素问·五脏生成篇》说:五色五味分别对应五脏。白色对应肺,辛味对应心(注:原文此处似有误,通常辛入肺,苦入心,但依原文翻译),青色对应肝,酸味对应肝,黄色对应脾,甘味对应脾,黑色对应肾,咸味对应肾。所以白色对应皮,赤色对应脉,青色对应筋,黄色对应肉,黑色对应骨。
《灵枢·五色篇》说:五脏六腑在肢体节段上各有对应的部位,每个部位都有阴阳之分,需要用阴来调和阳,用阳来调和阴,应当明确各部位的对应关系,这样就能万举万当。调和阴阳的盛衰,减有余补不足,使之平和,就能万举万当了。能够辨别左右,就掌握了大道。男女的气血运行逆顺不同,所以部位也有差异。因此,审察色泽的枯荣,才算是良医。左右是阴阳运行的道路,而男女从逆不同,所以位置也不同。确定好位置后,才能察知润泽与枯槁。脉色沉浊主内,浮泽主外。内主脏,外主腑,通过沉浮来区分它们。然而,要在面色上看出这些道理,非用心领会不能得到。黄色和赤色主风,青色和黑色主痛,白色主寒,黄色主膏脂,润泽主脓。赤色甚者为血瘀,疼痛甚者为拘挛,寒冷甚者为皮肤麻木不仁。五色分别在各自的部位显现,通过观察其浮沉可以知道病位的深浅,通过观察其泽夭可以观察预后的成败,通过观察其散聚可以知道病程的远近,通过观察色的上下可以知道病处的所在。病位浅则色浅,病位深则色深;色润泽则预后良好,色枯槁则预后不良;色散开者为新近发病,色凝聚者为久病。以上都是通过色形来判断疾病。积聚心神于心以知晓过去和现在的情况,所以观察气色如果不细致,就不能分辨是非;专心致志不离开,才能知晓疾病的新旧。观察色道的要领,必须积聚心神、专心致志,才能知晓疾病的往来、新旧及新病故疾。面色鲜明而不沉滞枯槁,病情就不严重;面色不明亮且不润泽,病情也不严重。如果只见到沉滞枯槁,病情一定很严重。如果没有沉滞枯槁,虽然面色不明亮润泽,病情也不会太严重。如果面色像小马奔跑那样散乱不定,还没有凝聚,说明病邪散漫,气虽聚集成痛但未成形。驹是小马,奔逸不定,形容面色散乱没有定所,气虽然聚集形成疼痛,但尚未成形。肾气乘袭心气,心脏先病,肾脏作为应证出现。其他脏腑的颜色表现都是如此,脏腑必定先自虚,然后贼邪才会乘虚而入,所见到的颜色自然是被我克制的脏气所胜。五脏都是这样。男子面色在面王(鼻准)部位显现,主小腹痛,下部显现主睾丸痛,圆形挺直主阴茎痛,高位主阴茎根部,低位主龟头。这属于狐疝、溃阴等病症。睾丸、阴茎、狐疝、溃阴乃是膀胱、小肠、前阴的病变。其部位在面王的上下,所以颜色显现于此。圆形挺直象征阴茎,所以根据颜色的位置高低来区分阴茎病的根本和末端。世俗以鼻子的大小来验证前阴的巨细,是有道理的。女子在面王部位显现,主膀胱和前阴的病变。色散主病邪分散,色聚主病邪结聚。方圆左右各如其色形。如果颜色向下延伸到达尾骶部,主淫邪之病,如果有润泽如膏状,主暴食不洁之物。女子的分部也是同样的,但病变都在下部,只是所见到的都与冲脉、任脉、带脉有关,如淫带、淋浊、瘕聚之类的病症。或者有因暴食导致湿热下流而成上述病症的。如果颜色凝聚,则病邪结聚;如果颜色散开,则只有疼痛而已。左边病变反映在左,右边病变反映在右。如果颜色有邪气,聚散而不端正,就是面色所指出的病邪所在。病变见于面色,左右不差爽,所以随着颜色所指的方向,察知聚散,从而知道是邪气结聚还是疼痛。青色、黑色、赤色、白色、黄色,都端正饱满,有别于正常部位。所谓“别乡”,是指赤色像榆荚一样出现在面王部位,预示不久将死。五色端正饱满符合时令的,是没有邪气的。有别乡的,就是说在正色之外的其他部位又出现了一种颜色。比如赤色出现在面王,就不是该部位应有的颜色,也不合时令。如果颜色上部尖锐,头部空虚,向上延伸则向下尖锐,向下延伸则向上尖锐,在左右两侧都依照这种方法。颜色的侵凌乘袭,必须视其尖锐处为乘袭的方向。上部尖锐为上乘,下部尖锐为下乘,左右都依照这种方法。用五色命名五脏:青色为肝,赤色为心,白色为肺,黄色为脾,黑色为肾。肝合筋,心合脉,肺合皮,脾合肉,肾合骨。辨别五色而知五脏,因五脏而知五合,再察看在何部位而分出生克吉凶,病情固然没有隐藏的了。
面上出现白点,是腹中有虫积。
面色青、白、黄无常,以及面上出现像蟹爪路一样的纹路,一黄一白的,是食积。两颧时常发红,是虚火上炎。
病患面无血色,无恶寒发热,脉象沉弦的,是鼻衄(鼻出血)。
病患面色见黄色且有光泽的,是有胃气,不会死;干枯黄色的,凶险。
赤色出现在两颧,大如拇指,即使病轻微好转,也必然突然死亡。
黑色出现在天庭(额头中央),大如拇指,即使没生病也会突然死亡。
冬季面色惨淡,是伤寒;紫色浑浊,是时病;面色白且肥胖,是气虚多痰;面色黑且消瘦,是阴虚火旺。
According to the Thirteenth Difficulty of the *Nan Jing* (Classic of Difficult Issues): The Five Zang organs correspond to five colors, all of which manifest on the face, and should also correspond with the Cun Kou pulse (radial artery at the wrist) and the Chi region (distal part of the radial pulse). If the complexion is green (Qing), the pulse should be Xian (Wiry) and Ji (Rapid/Tight); if red (Chi), the pulse should be Fu (Floating), Da (Large), and San (Scattered); if yellow (Huang), the pulse should be Zhong Huan (Moderately Slow) and Da; if white (Bai), the pulse should be Fu, Se (Choppy), and Duan (Short); if black (Hei), the pulse should be Chen (Deep), Ru (Soft/Slippery), and Hua (Smooth). If the pulse is Shu (Rapid), the skin in the Chi region will feel rapid; if the pulse is Ji, the skin in the Chi region will feel tight; if the pulse is Huan, the skin in the Chi region will feel relaxed; if the pulse is Se, the skin in the Chi region will feel choppy; if the pulse is Hua, the skin in the Chi region will feel smooth. If the complexion is green but the pulse is Fu, Se, and Duan, or Da and Huan, this indicates a relationship of mutual overcoming (Xiang Sheng/Xiang Ke context: specifically Ke/Overcoming here). Green corresponds to the Liver; a Fu, Se, and Duan pulse corresponds to the Lung, representing Metal overcoming Wood; a Da and Huan pulse corresponds to the Spleen, representing Wood overcoming Earth. This is called "Xiang Sheng" (in the sense of overcoming/dominating, often translated as Overcoming or Controlling). If the pulse is Fu, Da, and San, or Xiao (Small) and Hua, this indicates a relationship of mutual generation. Fu, Da, and San correspond to the Heart pulse, representing Wood generating Fire; Xiao and Hua correspond to the Kidney pulse, representing Water generating Wood. This is called "Xiang Sheng" (Generating).
The *Yu Ji Zhen Zang Lun* chapter of the *Su Wen* states: In treating any disease, one must observe the patient's form, Qi, color, and luster, as well as the excess or deficiency of the pulse, and distinguish whether the disease is new or old, then treat it without delaying the appropriate time. If the form and Qi are harmonious, it is termed treatable; if the color and luster are bright and floating, it is termed easy to cure; if the pulse conforms to the Four Seasons, it is termed treatable; if the pulse is weak yet smooth, indicating the presence of Stomach Qi, it is named easy to treat, provided treatment is applied at the right time. If the form and Qi are discordant, it is termed difficult to treat; if the color is dull and lacks luster, it is termed difficult to treat; if the pulse is solid and hard, the condition is worsening; if the pulse goes against the pattern of the Four Seasons, it is untreatable. One must carefully examine these four critical signs and clearly inform the patient.
The *Wu Zang Sheng Cheng Pian* chapter of the *Su Wen* states: Colors and flavors correspond to the Five Zang organs: White corresponds to the Lung, Pungent flavor to the Lung; Red corresponds to the Heart, Bitter flavor to the Heart; Green corresponds to the Liver, Sour flavor to the Liver; Yellow corresponds to the Spleen, Sweet flavor to the Spleen; Black corresponds to the Kidney, Salty flavor to the Kidney. Furthermore, White corresponds to the Skin, Red to the Vessels, Green to the Tendons, Yellow to the Flesh, and Black to the Bones.
The *Se Se Pian* chapter of the *Ling Shu* states: The limbs and joints of the Five Zang and Six Fu organs each have specific regions, utilizing Yin to harmonize Yang and Yang to harmonize Yin. One must understand these regions to ensure success in every action. By balancing the excess and deficiency of Yin and Yang, making them harmonious and level, one will succeed in every attempt. Being able to distinguish left from right constitutes the Great Dao. Since the flow of Yin and Yang differs between men and women, their positional correspondences also differ. Therefore, examining whether the complexion is lustrous or dull identifies a skilled physician. Left and right are the pathways of Yin and Yang. Once positions are established, one can discern luster and dullness. Deep and turbid colors indicate internal conditions (Zang organs), while floating and lustrous colors indicate external conditions (Fu organs); they are distinguished by their depth. However, understanding these nuances through facial inspection requires mental concentration. Yellow and Red indicate Wind; Green and Black indicate Pain; White indicates Cold; Yellow indicates dampness/pus; Luster indicates pus; Excessive Red indicates Blood stasis. Severe pain leads to spasms; severe cold leads to insensibility of the skin. When the five colors appear in their respective regions, observing their floating or sinking reveals the depth of the disease; observing their luster or dullness reveals the outcome; observing their dispersion or aggregation reveals the duration; observing their upper or lower distribution reveals the location. Superficial symptoms indicate superficial disease; deep symptoms indicate deep disease; lustrous colors indicate recovery; dull colors indicate deterioration; dispersed colors indicate recent onset; aggregated colors indicate long-standing disease. Accumulate spirit in the heart to know the past and present. Thus, subtle observation of Qi is necessary to distinguish right from wrong; maintaining attention allows one to know the new and old. To inspect colors, one must accumulate spirit and focus attention to understand the progression and nature of the disease. Bright and non-dull colors indicate mild illness; dark and dull colors indicate severe illness. If there is no darkness or dullness, even if not bright, the illness is not severe. If the color is dispersed like a running foal (Ju Ju Ran), the pathogenic factor is scattered and has not yet formed a mass; although there is Qi stagnation and pain, no physical structure has formed. "Ju" refers to a young horse, running restlessly, describing dispersed color without fixed location. When Kidney evil invades the Heart, the Heart suffers first, and the Kidney responds. This applies to other Zang organs as well; diseases arise when the Zang is deficient, allowing pathogenic factors to invade. The observed color reflects the element that overcomes the affected organ. For men, abnormalities on the nose tip (Mian Wang) indicate lower abdominal pain; abnormalities below indicate testicular pain; round and straight shapes indicate penile pain; high positions indicate the root of the penis; low positions indicate the glans. These belong to conditions such as Hu Shan (Fox Hernia) and Kui Yin. Testicular, penile, and hernia issues relate to the Bladder, Small Intestine, and anterior genitalia. Their facial correspondence is above and below the Mian Wang. Round and straight shapes symbolize the penis, so color height distinguishes the root and tip of penile disease. It is said that nose size correlates with genital size. For women, abnormalities on the Mian Wang indicate Bladder and anterior genitalia diseases; dispersed color indicates wandering pathogens; aggregated color indicates accumulation. Shapes correspond to the color form. If the color descends to the umbilicus area, it indicates lascivious diseases; luster like grease indicates excessive eating of unclean food. Women's regional divisions are similar, but diseases are located lower, involving the Chong, Ren, and Dai meridians, such as leukorrhea, strangury, and masses. Some cases result from excessive eating leading to damp-heat flowing downward. Aggregated color indicates masses; dispersed color indicates pain only. Left side indicates left-sided disease; right side indicates right-sided disease. Pathogenic colors that are dispersed and irregular indicate the location of the disease. Observing the direction of color changes reveals aggregation or pain. Green, Black, Red, White, and Yellow should be regular and full. "Bie Xiang" means an abnormal color appearing in an inappropriate region, e.g., Red on the Mian Wang, which portends imminent disaster. Regular colors conforming to seasons indicate no pathogen; aberrant colors indicate pathology. If the upper part of the color is sharp, it indicates upward invasion; if the lower part is sharp, it indicates downward invasion. Using the five colors to name the Zang organs: Green is Liver, Red is Heart, White is Lung, Yellow is Spleen, Black is Kidney. Liver connects to Tendons, Heart to Vessels, Lung to Skin, Spleen to Flesh, Kidney to Bones. By distinguishing colors, one knows the Zang organs; by knowing the Zang organs, one knows their connections; by observing the location, one determines Sheng (Generation) and Ke (Overcoming) auspiciousness or inauspiciousness. Disease cannot hide its true nature.
White spots on the face indicate intestinal parasites.
Fluctuating green, white, and yellow complexions, or crab-claw-like patterns on the face, alternating yellow and white, indicate food retention. Frequent redness on the cheekbones indicates deficiency fire flaming upward.
A patient with a bloodless complexion, without aversion to cold or fever, and with a Chen Xian (Deep and Wiry) pulse indicates epistaxis (nosebleed).
A patient with a yellowish and lustrous complexion has Stomach Qi and will not die; a dry yellow complexion is ominous.
Redness on the cheekbones, large as a thumb, indicates that although the minor illness may resolve, sudden death will follow.
Blackness on the forehead (Ting), large as a thumb, indicates sudden death in a person who appears healthy.
In winter, a dismal complexion indicates Shang Han (Cold Damage); purple and turbid colors indicate seasonal epidemics; a white complexion with obesity indicates Qi deficiency with phlegm; a black complexion with emaciation indicates Yin deficiency with hyperactive fire.