原病式曰五脏之志过度则劳伤本脏凡五志所伤皆热也所谓阳动阴静故形神劳则躁不宁静
则清
平也是故上善若水下愚若火如卒暴僵仆多因五志七情过度而卒病也故喜为心火之志病笑者火
之甚也五志过极皆为火也
谨按或曰火之为病其害甚大其变甚速其势甚彰其死甚暴何者盖能燔灼焰燔飞走狂越消烁
于物
莫能御之游行乎三焦虚实之两途曰君火也犹人火也曰相火也犹龙火也火性不妄动能不达于道
常以禀位听命营运造化生存之机矣夫人在气交之中多动少静欲不妄动其可得乎故凡动者皆属
火化火一妄行元气受伤势不两立偏胜则病移害他经事非细故动之极也病则死矣经所谓一水不
胜
二火之火出于天造君相之外又有厥阳脏腑之火根于五志之内六欲七情激之其火随起盖大怒则
火起于肝醉饱则火起于胃房劳则火起于肾悲哀动中则火起于肺心为君主自焚则死矣丹溪又启
火出五脏主病曰诸风掉眩属肝火动之类经所谓水不胜五火之火出自人为又考内经病机一十九
条内举属火者五诸热瞀 皆属于火之类而河间又广其说火之致病者甚多深契内经之意曰诸病
喘呕吐酸(云云见热门)此皆少阴君火之热乃真心小肠之气所为也若瞀 暴喑冒昧(云云见前)
此皆少阳相火之热乃心包络三焦之气所为也是皆火之变见为诸病也为脉虚则浮大实则洪数药
之所主各因其属君火者心火也可以湿伏可以水灭可以直折惟黄连之属可以制之相火者龙火也
不可以水湿折之从其性而伏之惟黄柏之属可以降之噫泻火之法岂止如此虚实多端不可不察以
脏气司之如黄连泻心火黄芩泻肺火芍药泻脾火柴胡泻肝火知母泻肾火此皆苦寒之味能泻有余
之火耳若饮食劳倦内伤元气火不两立为阳虚之病以甘温之剂除之如黄 人参甘草之属若阴微
阳强相火炽盛以乘阴位日渐煎熬为血虚之病以甘寒之剂降之如当归地黄之属若心火亢极郁热
内实为阳强之病以咸冷之剂折之如大黄朴硝之属若肾水受伤其阴失守无根之火为阴虚之病
以壮水之剂制之如生地黄玄参之属若右肾命门火衰为阳脱之病以温热之剂济之如附子干姜之
属若胃虚过食冷物抑遏阳气于脾土为火郁之病以升散之剂发之如升麻葛根之属不明诸此之类
而求火之为病施治何所根据故于诸经集略其说备处方之用庶免实实虚虚之祸也
又按火热之极者经曰壮火散气壮火之气衰故有阳极似阴之证河间治身冷唯心胸微暖昏冒
不知
人事不能言脉微而欲绝者用凉膈散养阴以退阳此因病阳厥而尚不下所致身冷脉微而似阴证亢
则害承乃制极变病例也然人火龙火治法与论唯太仆河间丹溪之意已详其未悉之旨今辑于下
王安道曰予读内经六微旨论至于亢则害承乃制喟然叹曰至矣哉其造化之枢纽乎王太仆发
之
于前刘河间阐之于后圣人之蕴殆靡遗矣然学人尚不能释然得不犹有未悉之旨也欤谨按经帝曰
愿闻地理之应六节气位何如岐伯曰(云云)尝观夫阴阳五行之在天地间也高者抑之下者举之强
者折之弱者济之盖莫或使然而自不能不然也不如是则高者愈高下者愈下强者愈强弱者愈弱而
乖乱之弊日已极矣天地岂能位乎虽然高也下也强与弱也亦莫或使然而自不能不然也故易也者
造化之不可常也惟其不可常故神化莫能以测莫测故不息也可常则息矣亢则害承乃制者其莫或
使然而自不能不然也欤夫太仆河间已发挥者兹不赘乃其未息之旨请推而陈之夫自显明之右止
君火治之十五句言六节所治之位也自相火之行下止阴精承之十二句言地理之应乎岁气也亢则
害承乃制二句言抑其过也制生则化止生化大病四句言有制之常与无制之变也承犹随也然不曰
随而曰承者以下言之则有上奉之象故曰承虽谓之承而有防之之义存焉亢者过极也害者害物也
制者克胜之也然所承也其不亢则随之而已故虽承而不见既亢则克胜以平之承斯见矣然而迎之
不知其所来迹之不知其所止固若有不可必者然可必者常存乎杳冥恍惚之中而莫之或欺之
河间曰已亢过极则反似胜已之化似也者其可以形质求哉故后篇厥阴所至为风生终为肃少
阴所
至为热生终为寒之类其为风生为热生者亢也其为肃为寒者制也又水发而为雹雪土发而飘骤之
类其水发土发者亢也其雹雪飘骤者制也若然者盖造化之常不能以无亢亦不能以无制焉耳夫前
后二篇所主虽有岁气运气之殊然亢则害承乃制之道盖无往而不然也惟其无往而不然故求之于
人则五脏更相平也一脏不平所不胜平之五脏更相平非不亢而防之乎一脏不平所不胜平之非既
亢而克胜之乎姑以心火而言其不亢则肾水虽心火之所畏亦不过防之而已一或有亢即起而克胜
之矣余脏皆然制生则化当作制则生化盖传写之误而释之读之者不觉求之不通遂并遗四句而弗
取殊不知上二句止言亢而害害而制耳此四句乃害与制之外之余意也苟或遗之则无以见经旨之
周悉矣制则生化正与下文害则败乱相对辞理俱顺不劳曲说而自通制则生化者言有所致则六气
不
至与亢而为平平则万物生生而变化无穷矣化为生之盛故生先于化也外列盛衰者言六气分布主
治迭为盛衰昭然可见故曰外列害则败乱生化大病者言既亢为害而无所制则败坏乖乱之政行矣
败坏乖乱之政行则其变极矣其灾甚矣万物其有不病者乎生化指所生所化者言谓万物也以变极
而灾甚故曰大病上生化以造化之用言下生化以万物言以人论之制则生化犹元气周流滋营一身
凡五脏六腑四肢百骸九窍皆藉焉以为动静云为之主生化大病犹邪气恣横正气耗散凡五脏六腑
四肢百骸九窍举不能遂其运用之常也或以害为自害或以承为承袭或以生为自无而有化为自
有而无或以二生化为一意或以大病为喻造化之机息此数者皆非也且夫人之气也固亦有亢而自
制者苟亢而不能自制则汤液针石导引之法以为之助若天地之气其亢而自制者固复于平亢而不
制者其孰助哉虽然造化之道苟变至于极则亦终必自反而复其常矣学人能本之太仆河间而参之
此论则造化枢纽之详亦庶矣乎
《原病式》说:五脏的情志如果过度,就会劳损并伤害本脏。凡是五志所伤,都属于热证。这是因为阳气主动、阴气主静,所以形体和精神劳累就会产生躁动而不宁静;如果不躁动,就是清静平和的状态。因此,上等的智慧像水一样沉静,下等的愚昧像火一样躁动。突然发生的僵直仆倒,多是因为五志和七情过度而突然发病。所以,喜是心火的志象,发笑是火邪严重的表现,五志过极都会化为火。
谨按:有人说,火这种致病因素,危害非常大,变化非常迅速,症状非常明显,死亡非常突然。为什么呢?因为火能焚烧灼烧,火焰飞腾,使人狂乱越轨,消耗万物,无法抵御。火在人体三焦中运行,有虚和实两个途径:称为“君火”,就像人间的火;称为“相火”,就像龙火。火的性质如果不妄动,就不能通达于道,通常应当安守本位,听从命令,以运化造化、维持生存之机。人在气交之中,多动少静,想要不妄动,怎么可能呢?所以凡是动的现象都归属于火。火一旦妄行,元气就会受伤,两者势不两立,偏胜就会生病,移害其他经络,这不是小事。动到极点就会死。经文所说的“一水不胜二火”,火出于天造、君相之外,又有厥阳之气,脏腑之火根源于五志之内,由六欲七情激发,火随即而起。大怒则火起于肝,醉饱则火起于胃,房劳则火起于肾,悲哀动中则火起于肺。心为君主,如果自焚就会死亡。
丹溪又阐述火出五脏主病的观点说:“诸风掉眩属肝火动之类。”经文所说“水不胜五火”,火出自人为。又考察《内经》病机十九条内,列举属于火的有五条,如“诸热瞀瘛,皆属于火”之类。河间先生又扩展了这种说法,认为火致病的情况很多,深深契合《内经》的本意。他说:“诸病喘呕吐酸……”(详见热门章节),这些都是少阴君火的热证,是真心和小肠之气所为。至于“瞀瘛暴喑冒昧……”(详见前文),这些都是少阳相火的热证,是心包络和三焦之气所为。这些都是火的变化表现为各种疾病。脉虚则浮大,脉实则洪数。药物主治各依其属性:君火即心火,可以用湿伏法,可以用水灭法,可以直接折降,只有黄连这类药可以制约它;相火即龙火,不可以用水湿折降,要顺应其性来伏制它,只有黄柏这类药可以降之。唉!泻火的方法难道只有这些吗?虚实情况多样,不可不仔细考察。根据脏腑之气来施治:如黄连泻心火,黄芩泻肺火,芍药泻脾火,柴胡泻肝火,知母泻肾火。这些都是苦寒的味道,能泻有余的火。如果是饮食劳倦内伤元气,火与元气不两立,属于阳虚的病,用甘温的药剂来消除,如黄芪、人参、甘草这类药。如果是阴微阳强,相火炽盛乘袭阴位,日渐煎熬,属于血虚的病,用甘寒的药剂来降之,如当归、地黄这类药。如果是心火亢极,郁热内实,属于阳强的病,用咸冷的药剂来折降,如大黄、朴硝这类药。如果是肾水受伤,其阴失守,无根之火属于阴虚的病,用壮水的药剂来制约,如生地黄、玄参这类药。如果是右肾命门火衰,属于阳脱的病,用温热的药剂来救助,如附子、干姜这类药。如果是胃虚,过食冷物,抑遏阳气于脾土,属于火郁的病,用升散的药剂来发散,如升麻、葛根这类药。不明白这些道理,而探求火致病的治疗,有什么依据呢?所以在各经中收集略述这些学说,以备处方之用,以免犯实实虚虚的错误。
又按:火热到了极点,经文说“壮火散气”,壮火会使元气衰弱,所以有阳极似阴的证候。河间治疗身冷、唯心胸微暖、昏冒不知人事、不能说话、脉微欲绝者,用凉膈散养阴以退阳。这是因病阳厥而尚未下行所致,身冷脉微而似阴证,亢盛则有害,承制乃能制衡,是极变的病例。然而人火和龙火的治疗方法,论述中太仆王冰、河间、丹溪的意思已经很详细,其中未详尽的宗旨,现在辑录如下。
王安道说:我读《内经·六微旨大论》,读到“亢则害,承乃制”,感叹道:“妙极了!这大概是造化的枢纽吧!”王太仆在前面阐发,刘河间在后面弘扬,圣人的深蕴几乎毫无遗漏了。然而学习者还不能释然,难道还有未详尽的宗旨吗?谨按:经文黄帝说:“愿闻地理之应六节气位何如?”岐伯说……(详见前文)。我曾观察阴阳五行在天地间的作用,高的被抑制,低的被提升,强的被折损,弱的被资助。大概没有谁去驱使它们,而是自然不能不这样。不这样的话,高的会更高,低的会更低,强的会更强,弱的会更弱,乖乱的弊端就会日益达到极点,天地怎么能安位呢?虽然高、下、强、弱也没有谁去驱使,而是自然不能不这样。所以《易经》讲造化是不可常存的,正因为不可常存,所以神化无法预测,正因为无法预测,所以不息。如果可以常存,那就停止了。“亢则害,承乃制”,大概也是没有谁去驱使,而是自然不能不这样吧?对于太仆和河间已经发挥的内容,这里不再赘述,对于他们未详尽的宗旨,请推演陈述。从“显明之右止君火治之”十五句,讲的是六节所治的位置;从“相火之行下止阴精承之”十二句,讲的是地理对应岁气。“亢则害,承乃制”两句,讲的是抑制过极;“制生则化,止生化大病”四句,讲的是有制的常态和无制的变局。“承”如同跟随,但不说“随”而说“承”,是因为下面言之有上奉的形象,所以说“承”,虽然叫“承”,但含有防预的意义。“亢”是过极,“害”是害物,“制”是克胜。所承之物,如果不亢,就只是跟随而已,所以虽称“承”却看不见;既已亢盛,就克胜以平复它,“承”才显现出来。然而迎击不知道它从哪里来,追踪不知道它到哪里停止,似乎有不可必定的地方,但可必定的东西常存在于杳冥恍惚之中,没有人能欺骗它。
河间说:已经亢盛过极,就反过来好像克制自己的气化。所谓“好像”,可以通过形质来求得吗?所以后篇说“厥阴所至为风生,终为肃;少阴所至为热生,终为寒”之类。其为风生、为热生,是亢的表现;其为肃、为寒,是制的表现。又如水发而为雹雪,土发而为飘骤之类。水发、土发是亢,雹雪、飘骤是制。既然这样,大概是造化的常规,不能没有亢,也不能没有制。前后两篇主旨虽有岁气运气之不同,但“亢则害,承乃制”的道理,无处不如此。正因为无处不如此,所以求之于人,就是五脏相互平调。一脏不平,所不胜之脏来平调它。五脏相互平调,不是防止亢盛吗?一脏不平,所不胜之脏来平调它,不是既已亢盛而克胜它吗?姑且以心火为例,它如果不亢,肾水虽然是心火所畏惧的,也不过是防预而已;一旦有亢,就起来克胜它。其余脏腑都这样。“制生则化”当作“制则生化”,大概是传写之误,解释诵读的人不觉探究不通,于是连同这四句一起遗漏而不采用,殊不知上两句只讲亢而害、害而制,这四句乃是害与制之外的余意。如果遗漏它,就无法见到经文旨意的周全。“制则生化”正与下文“害则败乱”相对,辞理顺畅,不需曲解而自然通顺。“制则生化”是说有所制约,则六气不至,与亢而为平,平则万物生生而变化无穷了。“化”是生的盛状,所以生先于化。“外列盛衰”是说六气分布主治,迭为盛衰,昭然可见,所以说“外列”。“害则败乱,生化大病”是说既已亢为害而无所制,则败坏乖乱的政治行施了。败坏乖乱的政治行施,则变化达到极点,灾害非常严重,万物哪有不生病的呢?“生化”指所生所化的事物,即万物。因变化极、灾害甚,所以说“大病”。上文的“生化”是从造化的作用而言,下文的“生化”是从万物而言。以人来说,“制则生化”犹如元气周流,滋营一身,凡五脏六腑、四肢百骸、九窍都依赖它作为动静云为之主;“生化大病”犹如邪气恣横,正气耗散,凡五脏六腑、四肢百骸、九窍都不能遂其运用之常。有的人把“害”理解为自害,把“承”理解为承袭,把“生”理解为自无而有,把“化”理解为自有而无,或者把两个“生化”视为一意,或者把“大病”比喻造化的机能停止。这几者都不对。况且人的气,固然也有亢而自制的,如果亢而不能自制,就用汤液、针石、导引等方法来帮助它。如果天地之气,亢而自制的固然恢复平静,亢而不制的,谁来帮助呢?虽然造化的道理,如果变化到了极点,也终究必定自我反省而恢复常态。学者如果能基于太仆、河间的理论,并参考这篇论述,那么造化的枢纽的详细情况也就差不多了。
The *Yuan Bing Shi* (Treatise on the Original Causes of Disease) states: When the emotions of the five Zang organs are excessive, they will labor and injure their respective organs. All injuries caused by the five emotions belong to heat syndromes. This is because Yang moves and Yin is still; thus, when the body and spirit are labored, restlessness arises instead of tranquility; if there is no restlessness, it is clear and peaceful. Therefore, supreme goodness is like water, while extreme foolishness is like fire. Sudden stiffness and collapse are often due to sudden illness caused by excess of the five emotions and seven passions. Thus, joy is the emotion of Heart Fire, and laughter indicates severe Fire. The five emotions in excess all transform into Fire.
Respectfully noted: Some say that Fire as a pathogenic factor causes great harm, changes rapidly, manifests prominently, and leads to sudden death. Why? Because Fire can scorch and burn, flames fly upward, causing madness and recklessness, consuming things without being able to be controlled. Fire travels through the Triple Burner (San Jiao), having two pathways of deficiency and excess: it is called "Monarch Fire" (Jun Huo), akin to human fire; and "Minister Fire" (Xiang Huo), akin to Dragon Fire. The nature of Fire, if not acting recklessly, cannot reach the Dao; it usually must abide by its position, obey orders, and operate the mechanisms of creation and survival. Humans exist within the intersection of Qi, moving more than staying still; how can one avoid reckless movement? Therefore, all movement belongs to Fire transformation. Once Fire acts recklessly, Yuan Qi (Original Qi) is injured; the two stand opposed. Excess leads to disease, affecting other meridians, which is no trivial matter. Extreme movement leads to death. The Classic mentions "one Water cannot overcome two Fires." Fire arises from heavenly creation, beyond Monarch and Minister, and also includes Jue Yang Qi. Fire of the Zang-Fu originates within the five emotions, stimulated by six desires and seven passions, rising with them. Great anger causes Fire to rise in the Liver; drunkenness and overeating cause Fire to rise in the Stomach; sexual exhaustion causes Fire to rise in the Kidneys; sorrow moving the center causes Fire to rise in the Lungs. The Heart is the Monarch; if it burns itself, death ensues.
Danxi further expounded on Fire originating from the five Zang organs governing diseases: "All wind, tremors, and dizziness belong to Liver Fire movement." The Classic states "Water cannot overcome Five Fires," where Fire arises from human conduct. Examining the Nineteen Pathogenesis Statements in the *Nei Jing*, five are attributed to Fire, such as "All heat, confusion, and spasms belong to Fire." Hejian expanded this theory, stating that Fire causes many diseases, deeply aligning with the *Nei Jing*. He said: "All diseases involving wheezing, vomiting, and acid regurgitation..." (see Hot Pathogen chapter), these are heat syndromes of Shaoyin Monarch Fire, caused by the Qi of the True Heart and Small Intestine. As for "confusion, spasms, sudden aphonia, and dizziness..." (see previous text), these are heat syndromes of Shaoyang Minister Fire, caused by the Qi of the Pericardium and San Jiao. These are manifestations of Fire's transformations presenting as various diseases. If the pulse is deficient, it is floating and large; if excess, it is surging and rapid. Medicinal treatment depends on the attribute: Monarch Fire is Heart Fire; it can be subdued by dampness, extinguished by water, or directly reduced; only herbs like Coptis Rhizoma (Huanglian) can control it. Minister Fire is Dragon Fire; it cannot be reduced by water and dampness but must be subdued according to its nature; only herbs like Phellodendron Bark (Huangbai) can descend it. Alas! Are these the only methods to drain Fire? Deficiency and excess vary greatly and must be carefully examined. Treating according to Zang-Fu Qi: Coptis Rhizoma drains Heart Fire; Scutellaria Root (Huangqin) drains Lung Fire; White Peony Root (Shaoyao) drains Spleen Fire; Bupleurum Root (Chaihu) drains Liver Fire; Anemarrhena Rhizome (Zhimu) drains Kidney Fire. These are bitter-cold flavors that drain excess Fire. If internal injury from diet and fatigue damages Yuan Qi, and Fire opposes Yuan Qi, it is a Yang-deficiency disease treated with sweet-warm formulas, such as Astragalus Root (Huangqi), Ginseng Radix (Renshen), and Licorice Root (Gancao). If Yin is weak and Yang strong, with Minister Fire blazing and attacking Yin positions, slowly consuming, it is a Blood-deficiency disease treated with sweet-cold formulas to descend Fire, such as Angelica Sinensis Root (Danggui) and Rehmannia Root (Dihuang). If Heart Fire is extremely hyperactive with stagnant heat internally solid, it is a Yang-excess disease treated with salty-cold formulas to reduce it, such as Rhubarb Radix et Rhizoma (Dahuang) and Mirabilite (Piaoxiao). If Kidney Water is injured and Yin fails to hold, rootless Fire constitutes a Yin-deficiency disease, treated with formulas to strengthen Water, such as Rehmannia Preparata (Shengdihuang) and Scrophularia Root (Xuanshen). If Fire of the Right Kidney Mingmen is declining, constituting Yang-collapse disease, it is treated with warm-hot formulas to assist, such as Aconite Lateralis Radix Praeparata (Fuzi) and Zingiberis Rhizoma (Ganjiang). If Stomach deficiency and excessive consumption of cold foods suppress Yang Qi in the Spleen Earth, constituting Fire-stagnation disease, it is treated with ascending-dispersing formulas to vent it, such as Cimicifugae Rhizoma (Shengma) and Puerariae Radix (Gegen). Without understanding these principles, seeking treatment for Fire diseases lacks basis. Therefore, collecting and summarizing these theories from various classics prepares for prescription use, avoiding the disaster of reinforcing excess and tonifying deficiency.
Furthermore: When Heat-Fire reaches extremity, the Classic says "Strong Fire dissipates Qi"; Strong Fire causes Qi decline, leading to symptoms of extreme Yang resembling Yin. Hejian treated cases of cold body, slight warmth only in the chest and heart, coma, unconsciousness, inability to speak, and faint, nearly imperceptible pulse using Liang Ge San (Cooling the Diaphragm Powder) to nourish Yin and retreat Yang. This was due to Yang-Jue (Cold Limb Syndrome due to Yang constraint) not yet descending; cold body and faint pulse resembling Yin syndrome, where hyperactivity causes harm, and subordination brings control, representing an extreme transformation case. However, treatment methods for Human Fire and Dragon Fire were already detailed by Taipu (Wang Bing), Hejian, and Danxi. The unexplained points are compiled below.
Wang Andao said: Reading the *Liu Wei Zhi Da Lun* (Great Treatise on the Six Subtleties) in the *Nei Jing*, reaching "Hyperactivity causes harm, subordination brings control," I sighed, saying, "Wonderful! This is likely the pivot of creation!" Taipu Wang elucidated it first, Liu Hejian elaborated later; the sage's profound meaning was almost fully revealed. Yet learners remain unconvinced; are there still unexplained points? Respectfully noted: The Classic Huangdi asked, "I wish to hear how geography responds to the six Qi and seasonal positions?" Qibo answered... (see previous). I have observed the operation of Yin-Yang and Five Elements in heaven and earth: high is suppressed, low is lifted, strong is broken, weak is aided. No one drives them; they naturally cannot be otherwise. Otherwise, high would become higher, lower lower, stronger stronger, weaker weaker, and chaos would reach its peak, unable to maintain order in heaven and earth. Although high, low, strong, and weak are not driven, they naturally cannot be otherwise. Thus, the *I Ching* teaches that creation is not constant. Precisely because it is not constant, divine transformation is immeasurable; precisely because immeasurable, it does not cease. If constant, it would stop. "Hyperactivity causes harm, subordination brings control" is likely natural necessity without external driver. For what Taipu and Hejian have already expounded, I do not repeat. For their unexplained points, please deduce and state. From "From the right of the bright light to Monarch Fire governs" fifteen sentences describe the positions governed by the six Jie. From "Minister Fire moves down to Yin Essence subordinates" twelve sentences describe geography responding to annual Qi. "Hyperactivity causes harm, subordination brings control" two sentences describe suppressing excess. "Subordination generates transformation, stopping generation causes great disease" four sentences describe the norm with control and variation without control. "Subordination" (Cheng) is like following, but not called "following" because speaking from below implies offering up from above, hence "Cheng." Though called "Cheng," it contains the meaning of prevention. "Hyperactivity" (Kang) is excess; "Harm" (Hai) is damaging things; "Control" (Zhi) is overcoming. What is subordinated, if not hyperactive, merely follows, so "Cheng" is unseen; once hyperactive, it is overcome to restore balance, and "Cheng" appears. However, meeting it, one does not know its origin; tracking it, one does not know its end, seemingly unpredictable. Yet certainty exists in the obscure and elusive, deceiving none.
Hejian said: Once hyperactive and excessive, it reverses to resemble the transformation that controls it. Can "resembling" be sought through form? Hence the later chapter states: "Jueyin arrives with Wind generation, ends with肃 (Solemnity/Cooling); Shaoyin arrives with Heat generation, ends with Cold." Wind and Heat generation are Hyperactivity; Solemnity and Cold are Control. Similarly, Water erupting into hail/snow, Earth erupting into storms: Water/Earth eruption is Hyperactivity; Hail/Snow/Storms are Control. Thus, creation's norm involves both Hyperactivity and Control. Although the focus of the preceding and succeeding chapters differs regarding Annual Qi and Luck, the principle of "Hyperactivity causes harm, subordination brings control" applies everywhere. Applying this to humans, the five Zang organs balance each other. If one Zang is imbalanced, the Zang that overcomes it balances it. This mutual balancing prevents Hyperactivity. If one Zang is imbalanced, the overcoming Zang balances it, overcoming after Hyperactivity. Taking Heart Fire as example: if not hyperactive, Kidney Water, though feared by Heart Fire, merely prevents; if hyperactive, Kidney Water rises to overcome it. Other Zang organs are similar. "Subordination generates transformation" should be read as "Control generates transformation," likely a transcription error. Readers failing to comprehend omitted these four sentences, unaware that the first two sentences discuss Hyperactivity-Harm-Control, while these four express the residual meaning beyond Harm and Control. Omitting them misses the completeness of the Classic's intent. "Control generates transformation" contrasts with "Harm causes chaos, generation leads to great disease," making logical sense without forced interpretation. "Control generates transformation" means with restraint, the six Qi do not arrive excessively, balancing Hyperactivity; balance allows all things to generate endlessly. "Transformation" is the flourishing of generation, so generation precedes transformation. "Externally listed are prosperity and decline" refers to the distribution of six Qi, alternating prosperity and decline, clearly visible. "Harm causes chaos, generation leads to great disease" means once Hyperactivity causes harm without control, chaotic governance prevails. Chaotic governance leads to extreme variation and severe disaster; who among all things will not fall ill? "Generation" refers to generated things, i.e., all things. Due to extreme variation and severe disaster, it is called "Great Disease." The upper "generation" refers to creation's function; the lower "generation" refers to all things. In humans, "Control generates transformation" is like Yuan Qi circulating, nourishing the whole body, serving as the master of movement for all Zang-Fu, limbs, bones, and orifices; "Generation leads to great disease" is like evil Qi rampant, Zheng Qi dissipated, where all Zang-Fu, limbs, bones, and orifices fail to function normally. Some interpret "Harm" as self-harm, "Subordination" as inheritance, "Generation" as existence from non-existence, "Transformation" as non-existence from existence, or merge the two "generations" into one meaning, or metaphorize "Great Disease" as cessation of creative mechanism. These are incorrect. Human Qi naturally has self-control during Hyperactivity; if unable to self-control, decoctions, acupuncture, and guidance assist. Heavenly/Earthly Qi, if self-controlling, returns to balance; if not, who assists? Although creation's way, if change reaches extremity, eventually self-reflects and returns to normal. Scholars basing themselves on Taipu and Hejian, referencing this discussion, will grasp the details of the creative pivot.