诊病之法,无过于望、闻、问、切,所谓四诊也。此四字无人不知,果得其法,病无不
治。
而医多差误者,口能言之,而心不能得,手不能应也。其中奥妙,本难尽言,然初学诊病,
果能得其大略,临症留心,久之纯熟,自然触手成春。
第一曰望。望者,望其色也。凡人五官,应乎五脏∶目为肝窍,鼻为肺窍,耳为肾窍,
口为
脾窍,心开窍于舌,又心寄窍于耳。病在何官,即可知其在何脏矣。又五色配乎五脏∶白属
肺,赤属心,黑属肾,青属肝,黄属脾。面现于色,又可推及五脏矣。面部多属阳明,左颧
属肝,右颧属肺。色有不当现而现者,可推而知脏腑之受克于何脏矣。凡此变化,言不能穷
,而总以五行之生克推之,自然有得。昔扁鹊见齐侯,一望而知其病在腠理;又五日,而知
其病在血脉;又五日,而知其病在肠胃;又五日,而知其病皆在髓。望之时义大矣哉!今人
虽不敢希古神医,而气色之现于面者,未尝不可望而知也。至望其舌,尤属紧要。盖病在脏
腑,医非卢扁,何能视见?而有可见者,除二便外,则舌为要。舌之可推测者最多。《伤寒
舌鉴》三十六舌,不可不晓。《张氏医通》加至一百二十舌,其绘图大半以苔之裂纹为辨,
以为精详,实多造作,徒乱人意耳!予以为看舌之道,先看其有苔无苔。舌赤无苔,阴亏已
极;两旁有苔,中心无苔,有似红沟,亦属阴亏。薄薄苔痕,平人之舌。若苔浓则胃有停滞
,白则夹寒,黄则夹热,板则邪滞未化,腐则邪滞渐化。苔如米粉,邪滞甚重,在时邪门,
虽白而干,可以用下。然又必观其堆之松
紧,紧则为实;松又为虚,有用补而退者。舌苔焦色,属热所致。苔之全黑,火极似水,非
下不可。然必审其燥与润,燥生芒刺,热重无疑;若黑而润,绝不烦渴,反属火不归原,急
宜桂、附回阳,稍进寒凉,则必陨命。此看舌之重在苔也。至于舌乃心之苗,脾脉连舌本,
肾脉夹舌本,肝脉绕舌本。舌本红,属阴虚内热;舌尖红,属心火;舌本红肿或破碎疼痛,
属
心脾积热;舌强,属痰热;舌卷,属肝气欲绝;舌不能言,属肾气不至。此类由脏而发者居
多,全在乎望之详审,则望舌不诚要哉?
第二曰闻。诊病可闻而知者较少,然不可不辨也。外感声多壮厉,内伤声多怯弱。闻呼
吸而
辨其调否?闻鼻息而辨其利否?床帐内有病气,知其邪之深;床帐内无病气,知其邪之浅。语
言舛错,恐其邪之伏;语言清白,恐仅内之伤。哼声不止,恐疼痛之难禁;怠惰懒言,恐
形神之交惫。此皆闻之不可忽者也。
第三曰问,尤不可不细。问其寒热与否;问其有汗与否;问其头疼、身痛与否;问其大
解闭
否;问其大便之或燥或稀或溏,并问解出之热否臭否;问其小溲之利否、多否少否;问其溲
色之或白或黄或赤,并问溲出之热否臭否、清否浊否;问其夜尚能寐否;问其饮下之甘否,
饥否吐否?问其胸胃之闷否;问其腹之痛否。痛而拒按属实,轻则消导,重则攻下,虽痛喜
按属虚,或宜温通,甚宜温补。问其口中干渴否;渴欲饮否;饮欲热否;饮欲冷否;邪热作
渴,必然欲饮。阴虚内热,渴不欲饮。问其有汗与否;汗出退热否;邪从汗解,得汗热退,
或退不净,再汗即净。阴虚发热,虽汗不解,屡发其汗,而热转甚。此非问不得而知也。而
更有不得不问者,问其人向有旧疾否,或向有肝气,或向有血症。发散之药性属辛温,太过
则肝气因之而发,消导之药性多香燥,太过则吐红便血之恙因之而发;外感未去,内伤加增
,医者何以处此?况病情甚多,凡有旧疾,必先细细问明,用药兼顾,早为监制。问而知之
谓之工,不诚然乎!
若夫第四曰切,尤四诊中之最要者。学人须将二十七脉细细推敲,《濒湖脉诀》熟熟记
诵,
诸名家论症必论脉,多多考验。临症时心平气静,先以中指按定关脉,掌后高骨谓关也,乃
齐下前、后二指,是为三部脉,前指按关前寸部也,后指按关后尺部也。先浮按,次中按,
次重按,每部各浮、中、沉三诊,合为九候。毋庸以二十七脉来寻病脉,而病患自然现出何
脉。大抵浮、沉、迟、数、其象易明;洪、微、弦、滑,亦尚可晓;其余脉象,初学不易推
求,然久熟贯串,自能领会。虽仲景先师,谓心中了了,指下难明,正要人细心领会耳!不
然脉之不知,何能诊病耶?至于何脉主何病,有独见者,有兼见者,有三四见者。如伤寒脉
必浮而兼紧,伤风脉必浮而兼缓,风寒化热脉必浮而兼数,由热生痰脉必数而兼滑。又如肝
病脉必弦,有热必兼数,犯胃生痰必弦数而兼滑。凡病可从此类推。至于独大、独小、独数
、独弦,更可以寻病之所在。或脉本六阳,阴必先亏;或脉本六阴,阳先不足。用药另有斟
酌。病虽变幻无穷,总不外乎五脏六腑,三部九候果能无差,自能按经施治。予论虽言大略
,而学人从此入门,加以工夫考校,何患医道之不明哉?
诊断疾病的方法,没有超过望、闻、问、切这四种方法的,这就是所谓的“四诊”。这四个字没有人不知道,如果真正掌握了其中的方法,就没有治不好的病。
然而医生常出现差错的原因,在于口头上能说出道理,但心中不能领会,手上不能准确操作。其中的奥妙,本来很难完全说尽,但是初学诊断疾病的人,如果能掌握大概要领,临证时留心观察,久而久之熟练自然,就能达到手到病除的境界。
第一是望诊。望,就是观察面色。人的五官对应五脏:眼睛是肝的窍道,鼻子是肺的窍道,耳朵是肾的窍道,嘴巴是脾的窍道,心开窍于舌,另外心也寄窍于耳。病变在哪个官窍,就可以知道病变在哪个脏腑了。另外五色对应五脏:白色属肺,红色属心,黑色属肾,青色属肝,黄色属脾。面部显现出相应的颜色,又可以推知五脏的情况了。面部整体多属于阳明经,左颧骨属肝,右颧骨属肺。如果出现不该显现的颜色而显现了,可以推断脏腑受到了哪一脏的克制。所有这些变化,言语无法穷尽,但总以五行的生克关系来推导,自然会有心得。从前扁鹊见到齐侯,一望就知道他的病在皮肤纹理之间;过了五天,知道病在血脉中;又过了五天,知道病在肠胃里;又过了五天,知道病都在骨髓中。望诊的意义真是重大啊!现在的人虽然不敢奢望成为古代的神医,但对于面部的气色表现,未尝不可以望而知之。至于观察舌头,尤其重要。因为病在脏腑,医生如果不是卢医或扁鹊那样的神医,怎么能直接看到体内情况呢?而有可见的部位,除了大小便之外,舌头就是关键。可以通过舌头推测的情况最多。《伤寒舌鉴》记载了三十六种舌象,不可不精通。《张氏医通》增加到一百二十种舌象,其绘图大多以舌苔的裂纹作为辨别依据,自以为精详,实际上大多牵强附会,只会扰乱人心罢了!我认为看舌头的门道,先看舌头上有没有舌苔。舌质红赤而没有舌苔,说明阴液亏损到了极点;舌两边有舌苔,中间没有舌苔,看起来像红色的沟壑,也属于阴亏。薄薄的苔痕,是正常人的舌头。如果舌苔浓厚,说明胃中有停滞之物,白色表示夹杂寒邪,黄色表示夹杂热邪,板滞表示邪气停滞尚未化解,腐腻表示邪气停滞逐渐化解。舌苔像米粉一样,说明邪气停滞非常严重,在时行疫病门类中,虽然是白色但干燥,可以使用下法。但是还必须观察舌苔堆积的松紧程度,紧实则为实证;松软则为虚证,有用补益法而退热的。舌苔呈现焦色,属于热邪所致。舌苔全黑,是火极似水的表现,非用下法不可。但是必须审察它是干燥还是湿润,干燥生芒刺,热重无疑;如果黑而湿润,完全不烦渴,反而属于火不归原(虚阳外越),急需使用桂枝、附子回阳救逆,稍微进用寒凉药物,就必然丧命。这就是看舌头的重点在于舌苔。至于舌头是心的苗窍,脾脉连系舌根,肾脉夹持舌根,肝脉环绕舌根。舌根红,属于阴虚内热;舌尖红,属于心火;舌根红肿或破碎疼痛,属于心脾积热;舌体僵硬,属于痰热;舌体卷缩,属于肝气欲绝;舌体不能言语,属于肾气不至。这类由脏腑病变引发的情况居多,全在于望诊的详细审慎,那么望舌难道不重要吗?
第二是闻诊。通过闻诊来诊断疾病的情况较少,但是不可不辨别。外感病的声音大多壮烈高亢,内伤病的声音大多怯弱低微。听呼吸来辨别是否调匀?听鼻息来辨别是否通畅?床帐内有病气,知道邪气深入;床帐内没有病气,知道邪气浅表。语言错乱,恐怕邪气潜伏;语言清晰明白,恐怕仅是内伤。哼声不止,恐怕疼痛难以忍受;怠惰懒言,恐怕形体和精神都极度疲惫。这些都是闻诊不可忽视的地方。
第三是问诊,尤其不可不细致。问是否有恶寒发热?问是否有汗?问是否有头痛、身痛?问大便是否闭塞?问大便是干燥、稀薄还是溏泄,并问排出时是否发热、是否有臭味?问小便是否通畅、量多还是量少?问尿液颜色是白、黄还是赤,并问排出时是否发热、是否有臭味、清亮还是浑浊?问夜间还能入睡吗?问饮水后感觉甘甜吗?饥饿时呕吐吗?问胸胃部闷胀吗?问腹部疼痛吗?疼痛且拒绝按压属实证,轻则用消导法,重则用攻下法;虽然疼痛但喜欢按压属虚证,适宜温通,甚则适宜温补。问口中干渴吗?想喝水吗?想喝热水还是冷水?邪热导致的口渴,必然想喝水。阴虚内热导致的口渴,想喝但不欲咽下。问是否有汗?出汗后热退了吗?邪气随汗而解,得汗后热退,或者退得不干净,再发一次汗就彻底退了。阴虚发热,虽然出汗但不能退热,屡次发汗,热势反而加重。这些不是通过问诊就无法知道的。还有不得不问的情况,问病人以前是否有旧疾,或者以前是否有肝气郁结,或者以前是否有血症。发散的药物性质属于辛温,太过则会导致肝气因之而发作;消导的药物性质多香燥,太过则会导致吐血便血的病症因之而发作;外感病邪未去,内伤病证增加,医生如何处理这种情况?况且病情很多,凡是患有旧疾的,必须先细细问明,用药时兼顾旧疾,提前加以监制。通过问诊而了解病情叫做高明,确实是这样啊!
至于第四是切诊,尤其是四诊中最重要的一环。学习者必须将二十七种脉象细细推敲,《濒湖脉诀》要熟记背诵,各位名家论述病症必定论述脉象,多多考验自己。临证时心境平和、气息宁静,先用中指按定关脉,掌后高骨处称为关,然后前后各放一指,这就构成了三部脉,前指按的是关前的寸部,后指按的是关后的尺部。先浮取,次中取,再重取,每部各有浮、中、沉三种诊法,合起来为九候。不需要刻意用二十七种脉象去寻找病脉,病患自然会显现出何种脉象。大致来说,浮、沉、迟、数,其形象容易明了;洪、微、弦、滑,也还可以理解;其余脉象,初学者不容易推求,但是长久熟练贯通,自然能够领会。虽然仲景先师说心中明明朗朗,手指下却难以明确,这正是要求人们细心领会啊!不然的话,如果不了解脉象,怎么能诊断疾病呢?至于哪种脉象主哪种病,有单独出现的,有兼见的,有三四种同时出现的。比如伤寒脉必浮而兼紧,伤风脉必浮而兼缓,风寒化热脉必浮而兼数,由热生痰脉必数而兼滑。又如肝病脉必弦,有热必兼数,犯胃生痰必弦数而兼滑。所有病症都可以从此类推。至于独大、独小、独数、独弦,更可以寻找病变所在。或者脉象本属六阳,阴气必先亏损;或者脉象本属六阴,阳气先不足。用药另有斟酌。病情虽然变幻无穷,总不外乎五脏六腑,如果三部九候果能没有差错,自然能按照经络施治。我所说的虽然只是大概,但是学习者从此入门,加上工夫考核校验,何必担心医学之道不明白呢?
The methods for diagnosing diseases do not exceed the four examinations: Inspection (Wang), Auscultation and Olfaction (Wen), Inquiry (Wen), and Palpation (Qie), which are known as the "Four Examinations" (Si Zhen). These four characters are known to everyone, but if one truly masters their methods, there is no disease that cannot be cured.
However, the reason why many physicians make errors is that they can speak of them verbally, but cannot grasp them in their minds, nor can their hands respond accordingly. The subtleties within are difficult to fully explain, but for beginners learning diagnosis, if they can grasp the general principles, pay attention during clinical practice, and eventually become proficient through long-term experience, they will naturally achieve the ability to cure diseases with a touch.
The first is Inspection (Wang). Inspection refers to observing the complexion. The five facial orifices correspond to the Five Zang Organs: the eyes are the orifice of the Liver, the nose is the orifice of the Lung, the ears are the orifice of the Kidney, the mouth is the orifice of the Spleen, the Heart opens into the tongue, and additionally, the Heart寄 (resides) its orifice in the ears. If a disease is in a specific orifice, one can know which Zang Organ is affected. Furthermore, the five colors correspond to the Five Zang Organs: White belongs to the Lung, Red to the Heart, Black to the Kidney, Green/Blue to the Liver, and Yellow to the Spleen. The appearance of colors on the face allows one to infer the state of the Zang Organs. The entire face generally relates to the Yangming Channel; the left cheekbone corresponds to the Liver, and the right cheekbone to the Lung. If inappropriate colors appear, one can deduce which Zang Organ is being overcome by another according to the Five Elements. All these variations cannot be exhaustively described, but by applying the generation and overcoming cycles of the Five Elements (Wu Xing), one will naturally gain understanding. In ancient times, Bian Que saw the Duke of Qi and knew from one glance that his disease was in the skin and muscles (Cou Li); five days later, he knew it was in the blood vessels; five days after that, in the stomach and intestines; and five days after that, in the marrow. The significance of Inspection is indeed great! Although modern people dare not hope to become divine physicians like those of old, the qi and color manifesting on the face can certainly be observed and understood. Observing the tongue is particularly crucial. Since diseases reside in the Zang and Fu organs, unless a physician is a Lu Yi or Bian Que, how can they see inside? Among visible parts, besides urine and feces, the tongue is key. The tongue offers much to speculate upon. The thirty-six tongue presentations in *Shanghan Shejian* (Tongue Diagnosis in Cold Damage) must be mastered. *Zhangshi Yitong* expands this to one hundred and twenty tongue presentations, mostly distinguishing based on cracks in the coating, claiming precision, but in reality, this is often contrived and only confuses people. I believe the way to examine the tongue is to first check for the presence or absence of coating. A red tongue without coating indicates extreme Yin deficiency. Coating on the sides but none in the center, resembling a red groove, also indicates Yin deficiency. A thin trace of coating is normal for healthy individuals. Thick coating indicates stagnation in the Stomach; white indicates cold, yellow indicates heat, stiff/coated indicates stagnation not yet resolved, and rotten/fatty coating indicates stagnation gradually resolving. Coating like rice flour indicates severe stagnation; in the category of epidemic pathogens, even if white and dry, purgatives may be used. However, one must observe whether the coating is tight or loose; tight indicates excess, loose indicates deficiency, and tonification may reduce it. Scorched coating color is caused by heat. Full black coating represents extreme fire resembling water, requiring purgation. But one must examine if it is dry or moist; dry with prickles confirms severe heat; if black and moist, with no thirst or irritability, it indicates Fire failing to return to its source (Yin Deficiency leading to Floating Yang), requiring immediate use of Guizhi Tang (Cinnamon Twig Decoction) and Fuzi (Aconite Root) to restore Yang; slight use of cold herbs would be fatal. Thus, the focus of tongue inspection lies in the coating. The tongue is the sprout of the Heart, the Spleen channel connects to the root of the tongue, the Kidney channel flanks the root of the tongue, and the Liver channel winds around the root of the tongue. Redness at the root indicates Yin deficiency with internal heat; redness at the tip indicates Heart Fire; swelling, redness, or painful ulceration at the root indicates accumulated Heat in the Heart and Spleen; stiffness indicates Phlegm-Heat; curling indicates impending extinction of Liver Qi; inability to speak indicates failure of Kidney Qi. Most such conditions originate from the Zang organs, relying entirely on detailed inspection, making tongue observation truly essential.
The second is Auscultation and Olfaction (Wen). Diagnosing via hearing is less common, but still requires discrimination. External contraction diseases often present with loud, vigorous voices, while internal injury diseases present with weak, timid voices. Listen to breathing to judge if it is regular; listen to nasal respiration to judge if it is unobstructed. Disease odor in the bed curtains indicates deep pathogenic factors; absence indicates shallow pathogenic factors. Disordered speech suggests latent pathogens; clear speech suggests mere internal injury. Continuous groaning suggests unbearable pain; lethargy and reluctance to speak suggest exhaustion of both form and spirit. These are aspects of Auscultation that cannot be ignored.
The third is Inquiry (Wen), which must be especially meticulous. Ask about chills and fever; ask about sweating; ask about headache and body ache; ask about constipation; ask about stool consistency (dry, loose, or watery) and whether it is hot or foul-smelling upon expulsion; ask about urination frequency and volume; ask about urine color (white, yellow, or red) and whether it is hot, foul-smelling, clear, or turbid; ask about sleep quality at night; ask if drinking brings relief or causes vomiting when hungry; ask about chest and epigastric stuffiness; ask about abdominal pain. Pain with refusal to press indicates Excess; mild cases require digestion-promoting methods, severe cases require purgation. Pain relieved by pressure indicates Deficiency; warm unblocking or strong warming tonification is appropriate. Ask about dryness and thirst in the mouth; desire to drink; preference for hot or cold drinks. Thirst due to pathogenic heat必然 (necessarily) involves desire to drink. Thirst due to Yin deficiency with internal heat involves desire but unwillingness to swallow. Ask about sweating; does sweating reduce fever? Pathogens resolving via sweating leads to fever reduction after sweating; if not fully reduced, a second sweating may clear it. Fever due to Yin deficiency does not resolve with sweating; repeated sweating worsens the fever. These cannot be known without inquiry. Further necessary inquiries include asking about past chronic diseases, history of Liver Qi stagnation, or history of Blood disorders. Dispersing herbs are acrid-warm; excessive use may trigger Liver Qi issues. Digestion-promoting herbs are often aromatic-dry; excessive use may trigger hematemesis or hematochezia. If external pathogens remain while internal injuries increase, how should the physician act? Given the complexity of conditions, any chronic history must be clearly ascertained, and medication must account for it, providing early control. Knowing through inquiry is called skillful, is this not true?
The fourth is Palpation (Qie), the most important of the Four Examinations. Learners must carefully study the twenty-seven pulse types, memorize *Binhu Maijue* (Pulse Rhymes by Li Shizhen), and test themselves against various experts' discussions on symptoms and pulses. During clinical practice, maintain a calm mind and steady breath. First, place the middle finger on the Guan (Bar) pulse. The high bone behind the palm is the Guan position. Place fingers anterior and posterior to it, forming the Three Positions (San Bu): the anterior finger presses the Cun (Inch) position before Guan, and the posterior finger presses the Chi (Cubit) position after Guan. Perform superficial (Fu), moderate (Zhong), and deep (Chen) palpation for each position, totaling Nine Probes (Jiu Hou). Do not rigidly search for disease pulses using the twenty-seven types; rather, let the patient's natural pulse reveal itself. Generally, Fu, Chen, Chi, and Shu pulses are easy to understand; Hong, Wei, Xian, and Hua pulses are also comprehensible. Other pulse images are difficult for beginners, but with long-term proficiency and integration, understanding will come naturally. Although Master Zhang Zhongjing said, "The mind understands clearly, but the fingers find it hard to clarify," this precisely calls for careful comprehension. Otherwise, how can one diagnose without knowing pulses? Regarding which pulse governs which disease, some appear alone, some jointly, some three or four together. For example, Shanghan (Cold Damage) pulses are typically Fu and joint Jin (Tight); Shangfeng (Wind Strike) pulses are Fu and joint Huan (Lax); Wind-Cold transforming to Heat pulses are Fu and joint Shu (Rapid); Heat generating Phlegm pulses are Shu and joint Hua (Slippery). Liver disease pulses are typically Xian (Wiry); with Heat, they join Shu; invading the Stomach and generating Phlegm, they are Xian-Shu-Hua. All diseases can be inferred thus. Unique Da (Large), Xiao (Small), Shu (Rapid), or Xian (Wiry) pulses help locate the disease. Six Yang pulses indicate prior Yin deficiency; Six Yin pulses indicate prior Yang insufficiency. Medication requires further deliberation. Although diseases vary infinitely, they ultimately concern the Five Zang and Six Fu organs. If the Three Positions and Nine Probes are accurate, treatment according to the channels will naturally follow. My discussion covers only the basics, but learners entering here, with diligent study and verification, need not worry about not mastering the medical Dao.